My work as a generative artist is rooted in a trauma-informed and deeply neuroqueer Weird Futurity (meaning: predestined sense of what-is-to-come as a repeating pattern of what- has-been). I am interested in hybrid and transdisciplinary forms integrating music, theater and performance art, film and video art, installation, testimony, memoir, poetry, translation, and ritual. I score my works with toy, parlor, electr(on)ic, and orchestral instruments in equal measure, undermining the primacy of the trained musician and emphasizing playability and plasticity.