Neil Wechsler

Neil Wechsler won the 2008 Yale Drama Award for his play GRENADINE, which was selected by Edward Albee and published by Yale University Press. Neil’s plays include THE BROWN BULL OF CUAILNGE, YSBADDADEN, and an adaptation of Ibsen’s EMPEROR AND GALILEAN, and have been produced and taught in the United States and Canada. He was Artistic Segal Center Research Scholar in 2014, Silversides Theatre Artist at the University of Waterloo in Canada in 2016, and Artist-in-Residence for the Creative Arts Initiative at the University at Buffalo in 2016-17. He was the Executive Director of Against the Grain Theater Festival in Buffalo, an educational playwriting company, from 2014 to 2017. He directed Samuel Beckett’s WORDS AND MUSIC for A Musical Feast in Buffalo in 2015, and has worked as a dramaturg...

Neil Wechsler won the 2008 Yale Drama Award for his play GRENADINE, which was selected by Edward Albee and published by Yale University Press. Neil’s plays include THE BROWN BULL OF CUAILNGE, YSBADDADEN, and an adaptation of Ibsen’s EMPEROR AND GALILEAN, and have been produced and taught in the United States and Canada. He was Artistic Segal Center Research Scholar in 2014, Silversides Theatre Artist at the University of Waterloo in Canada in 2016, and Artist-in-Residence for the Creative Arts Initiative at the University at Buffalo in 2016-17. He was the Executive Director of Against the Grain Theater Festival in Buffalo, an educational playwriting company, from 2014 to 2017. He directed Samuel Beckett’s WORDS AND MUSIC for A Musical Feast in Buffalo in 2015, and has worked as a dramaturg on numerous plays, including Oscar Wilde’s AN IDEAL HUSBAND for the Irish Classical Theatre Company in Buffalo in 2016, and the upcoming THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME at Shea’s 710 in Buffalo. Neil wrote and directed ORPHANS OF ELSINORE, a triptych film that was the subject of a course in Digital Arts Communication at the University of Waterloo in 2019. He is currently working on an adaptation of MOBY-DICK, commissioned by Road Less Traveled Productions in Buffalo. Neil has spoken about playwriting and literature at high schools and colleges across the United States. He graduated from Yale University with distinction in Philosophy and Psychology.

Scripts

Grenadine

by Neil Wechsler

Synopsis

Winner of the 2008 Yale Drama Award, an international prize for emerging playwrights. Edward Albee was the judge. About GRENADINE Albee wrote: “I found it highly original; the questions the play asks and the answers it proposes are provocative; the play stretched my mind.” Synopsis: A carnival custodian searches for love in the company of his three devoted friends. The bonds of friendship are challenged, and...

Winner of the 2008 Yale Drama Award, an international prize for emerging playwrights. Edward Albee was the judge. About GRENADINE Albee wrote: “I found it highly original; the questions the play asks and the answers it proposes are provocative; the play stretched my mind.” Synopsis: A carnival custodian searches for love in the company of his three devoted friends. The bonds of friendship are challenged, and ultimately reaffirmed, by the quartet’s journey through an unfamiliar landscape.

The Brown Bull of Cuailnge

by Neil Wechsler

Synopsis

Four Irish soldiers sit before a campfire and consider the myths that shape their lives. Separated from their battalion in a war whose origin has long been mythologized, the four soldiers argue, philosophize, and discover their enlightenment. 2014 production by The Room in Toronto praised by Jon Kaplan of Now Toronto for its “intellectual and emotional power” and “tantalizing ideas about myth and human...

Four Irish soldiers sit before a campfire and consider the myths that shape their lives. Separated from their battalion in a war whose origin has long been mythologized, the four soldiers argue, philosophize, and discover their enlightenment. 2014 production by The Room in Toronto praised by Jon Kaplan of Now Toronto for its “intellectual and emotional power” and “tantalizing ideas about myth and human interconnection. You’ll leave the theatre with your head full of ideas to ponder.”