Artistic Statement
I’m a queer GNC feminist playwright who pens plays that are true ensemble ventures.
Plays that are questing, wrestling, asking.
Plays without answers.
Plays about women and queers.
Plays about outsiders and searchers.
Plays grappling with voice and agency, opportunity and access, history and its wake.
I write plays that meld the wildly theatrical with the deeply intimate.
Formally ambitious plays that MOVE and take up space.
Plays with backs and legs and arms and hands and touch.
Plays that seek to be a greater, communal, rare theatrical event in which something TRANSCENDENT transpires – for those both onstage and off.
By which I mean: plays that also feel like an EXPERIENCE.
The theater I make is fundamentally dynamic, language-deft, honest, brave, and always the smallest bit impossible.
Plays that are questing, wrestling, asking.
Plays without answers.
Plays about women and queers.
Plays about outsiders and searchers.
Plays grappling with voice and agency, opportunity and access, history and its wake.
I write plays that meld the wildly theatrical with the deeply intimate.
Formally ambitious plays that MOVE and take up space.
Plays with backs and legs and arms and hands and touch.
Plays that seek to be a greater, communal, rare theatrical event in which something TRANSCENDENT transpires – for those both onstage and off.
By which I mean: plays that also feel like an EXPERIENCE.
The theater I make is fundamentally dynamic, language-deft, honest, brave, and always the smallest bit impossible.
←
L M Feldman
Artistic Statement
I’m a queer GNC feminist playwright who pens plays that are true ensemble ventures.
Plays that are questing, wrestling, asking.
Plays without answers.
Plays about women and queers.
Plays about outsiders and searchers.
Plays grappling with voice and agency, opportunity and access, history and its wake.
I write plays that meld the wildly theatrical with the deeply intimate.
Formally ambitious plays that MOVE and take up space.
Plays with backs and legs and arms and hands and touch.
Plays that seek to be a greater, communal, rare theatrical event in which something TRANSCENDENT transpires – for those both onstage and off.
By which I mean: plays that also feel like an EXPERIENCE.
The theater I make is fundamentally dynamic, language-deft, honest, brave, and always the smallest bit impossible.
Plays that are questing, wrestling, asking.
Plays without answers.
Plays about women and queers.
Plays about outsiders and searchers.
Plays grappling with voice and agency, opportunity and access, history and its wake.
I write plays that meld the wildly theatrical with the deeply intimate.
Formally ambitious plays that MOVE and take up space.
Plays with backs and legs and arms and hands and touch.
Plays that seek to be a greater, communal, rare theatrical event in which something TRANSCENDENT transpires – for those both onstage and off.
By which I mean: plays that also feel like an EXPERIENCE.
The theater I make is fundamentally dynamic, language-deft, honest, brave, and always the smallest bit impossible.