Anne G. Morgan

Anne G. Morgan (she/her/hers) is a dramaturg, an arts administrator, and a new play advocate. She currently works as the Programs Director for the National New Play Network, an alliance of professional theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays.

Anne works regularly with the Playwrights Realm, the Playwright's Lab at Hollins University, Great Plains Theatre Conference, the Kennedy Center, and more, as well as collaborating with playwrights individually. After four years as Board Co-Chair, she now serves as an At-Large Board Member for Literary Managers and Dramaturgs of the Americas.

Anne received the 2019 Elliott Hayes Award for Outstanding Achievement in Dramaturgy for her work on Shakespeare’s New Contemporaries, the American...

Anne G. Morgan (she/her/hers) is a dramaturg, an arts administrator, and a new play advocate. She currently works as the Programs Director for the National New Play Network, an alliance of professional theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays.

Anne works regularly with the Playwrights Realm, the Playwright's Lab at Hollins University, Great Plains Theatre Conference, the Kennedy Center, and more, as well as collaborating with playwrights individually. After four years as Board Co-Chair, she now serves as an At-Large Board Member for Literary Managers and Dramaturgs of the Americas.

Anne received the 2019 Elliott Hayes Award for Outstanding Achievement in Dramaturgy for her work on Shakespeare’s New Contemporaries, the American Shakespeare Center's groundbreaking new play initiative. With ASC, Anne dramaturged new plays by L M Feldman, Mary Elizabeth Hamilton, Anchuli Felicia King, Emma Whipday, and Amy E. Witting.

​From 2012 - 2017, Anne was the Literary Manager & Dramaturg at the Eugene O’Neill Theater Center where she worked on new plays by David Auburn, Bekah Brunstetter, A. Rey Pamatmat, among others. Anne has worked internationally at the Baltic Playwrights Conference, the Latvian Academy of Culture, and the Lithuanian Academy of Music and Theatre and has taught at the University of Connecticut and the National Theater Institute.

Anne currently lives in Vermont with her husband and daughter.

Recommended by
  • I so enjoyed my experience reading this play! It's compelling and well-drawn. It's theatrical, has characters that are well-drawn and have needs that are in opposition to one another, and the dialogue is smart and funny. Give it a read!

    I so enjoyed my experience reading this play! It's compelling and well-drawn. It's theatrical, has characters that are well-drawn and have needs that are in opposition to one another, and the dialogue is smart and funny. Give it a read!

  • I'm a big fan of this play! It strikes me as both ambitious in its theatrical goals and authentic in its engagement with unionization. The bays of shoes (and the ghost!), the doubling, the repetition of the sales rhythm are all elements that actors and directors could have a lot of fun with.

    I'm a big fan of this play! It strikes me as both ambitious in its theatrical goals and authentic in its engagement with unionization. The bays of shoes (and the ghost!), the doubling, the repetition of the sales rhythm are all elements that actors and directors could have a lot of fun with.

  • I had the great pleasure of dramaturging HUMAN RESOURCES for the 2021 Great Plains Theatre Conference. This smart, engaging, opposites-attract play showcases a relationship not often glamorized onstage - coworkers whose proximity breeds care. And, in doing so during this time of social isolation, the play almost makes one nostalgic for the office. The writing is spare, specific, and very funny.

    I had the great pleasure of dramaturging HUMAN RESOURCES for the 2021 Great Plains Theatre Conference. This smart, engaging, opposites-attract play showcases a relationship not often glamorized onstage - coworkers whose proximity breeds care. And, in doing so during this time of social isolation, the play almost makes one nostalgic for the office. The writing is spare, specific, and very funny.

  • Theatrical and thought-provoking, Prima Donna is a new, original, imaginative story built on the foundation of an older tale. The play offers rich opportunities for actors and theater artists to play, and its fresh and energetic writing is sure to engage audiences.

    Theatrical and thought-provoking, Prima Donna is a new, original, imaginative story built on the foundation of an older tale. The play offers rich opportunities for actors and theater artists to play, and its fresh and energetic writing is sure to engage audiences.

  • A fresh, theatrical, and utterly compelling play built from ancient Greek myths. The nonlinear structure invites audiences to engage more deeply in the storytelling.

    A fresh, theatrical, and utterly compelling play built from ancient Greek myths. The nonlinear structure invites audiences to engage more deeply in the storytelling.

View all 178 recommendations