I write plays about Black women at a crossroads, women choosing joy over corporate validation, identity over approval, and healing over inherited trauma. My characters stand at precipices both literal and metaphorical, confronting expectations imposed by family, employers, society, and themselves.

My work centers marginalized voices rarely given space on stage: asexual women declaring their right to exist outside heteronormative narratives, mothers and daughters wrestling with generational pain and religious doctrine, professionals realizing that success without authenticity is failure. I'm drawn to moments of confrontation, not just conflict between characters, but internal reckonings when a woman finally asks: “Who am I when I stop performing? What do I actually want?”

I use dark humor as both weapon and balm. My characters are sharp-tongued and self-aware, delivering cutting observations even in their most vulnerable moments. This humor heightens the stakes, revealing how Black women laugh through pain and survive by staying clever.

The theatrical spaces I create are unapologetically Black, contemporary, and specific. Whether it's a Miami hotel balcony, a cramped DC apartment, or a Maryland beach at twilight, these settings pulse with the textures of Black life, our language, our rituals, our complicated relationships with institutions never built for us. I'm interested in private spaces where Black women let down their guard, where code-switching stops and truth-telling begins.

I believe theater should make audiences uncomfortable in the best way, not through shock value, but through recognition. I want Black women to see themselves reflected with complexity and compassion. I want other audiences to witness the fullness of our interior lives and our right to messy, imperfect humanity.

Ultimately, I write toward liberation. My characters may not find neat resolutions, but they move toward self-knowledge and the courage to disappoint others in service of honoring themselves. In a world that constantly demands Black women be smaller, quieter, more palatable, my plays insist: *Take up space. Tell the truth. Choose yourself.*

That act of choosing, of saying "no" to what diminishes you and "yes" to your own becoming, is where my work cozily resides.