Jenna Jane

“Fangs” is a full-length vampire comedy, served family-style.
He's a sweet Midwesterner. She's a vampire who has roamed the earth for hundreds of years. They're getting married. But first, he has to meet the family.
An allegory for interfaith marriage, this farce explores the challenges and growth that come with marrying someone from outside your tribe. 90 minutes, no intermission.

This full-length sci-fi drama explores what it means to be human in an increasingly bionic world. In a future where everyone is swapping out their body parts with the latest tech, 81-year-old Donna Goldman is an anomaly. While everyone else is getting solar panel fingernails, 3-D printed vocal cords, and bionic wombs, Donna has chosen to remain 100 percent organic. But now, there's a problem: She's dying. And a bionic body part is the only cure. Will cyborg Dr. Flores persuade Donna to abandon her authentic self to survive?

A mother stands up for her transgender daughter after she was “dead-named” by police.
A 4-minute dramatic monologue.

Sick of wasting time and effort on bad dates that go nowhere, JAIME and SAM are taking a different approach: They’re going to ask all the questions you’re not supposed to ask on a first date. There are only three rules: No more than 10 minutes. No ordering food or drinks. And no lying. OK… maybe one lie.

A note from the playwright: All roles can be performed by actors of any gender expression, any ethnicity, and any age (18+). This is a lightning fast-paced 15-minute romantic comedy with zero jokes based on gender stereotypes, sexual orientation, race, or age.

Optional: All three actors learn all three parts. At the beginning of each performance, in front of the audience, the actors draw names out of a receptacle of your choice to decide who plays which role.

The Evil Queen tells her side of the story for the first time. Good guys and bad guys are all guys; for women, it’s never that simple.

In a future where everyone is enhancing their bodies with the latest tech, 81-year-old Donna Goldman is an anomaly – she’s 100 percent organic. But now, there’s a problem: She’s dying. And a bionic body part is the only cure. Will cyborg Dr. Flores persuade her to abandon her sense of self to survive? This 20-minute sci-fi drama for two actors explores the relationship between the body and the self.

A 20-minute sci-fi courtroom drama. After years of struggling with infertility, Monica Duncan was able to conceive with a bionic womb. But now she can’t pay her debt on the device. The corporation that manufactures the bionic womb has come to collect, claiming full custody of Monica’s daughter. This play explores the implications of body modification, what it means to be a parent, and the inevitable trap of sacrificing the self to a corporation.

A 30-minute sci-fi drama. CHLOE’s therapy session takes an alarming turn when she realizes her psychiatrist is not who they appear to be. They’re an AI program reporting data back to the corporation she works for. This play explores the impact of suddenly having a physical disability, what it means to be authentically human in a time of bionic body-modification, the corporatization of artificial intelligence, and the uncomfortable tug-of-war between privacy and safety.

This play shows us how we can all embrace our inner Pumpkin Spice MILF – undaunted by gender expectations, the commercialization of nostalgia, or the Pumpkin Spice Industrial Complex. A 10-minute comedy.

The little mermaid and her prince realize they’re not going to sail off into the sunset together after all. A 10-minute comedy.

After hundreds of years on her throne, Fairy Queen Gwennyth’s subjects have become disenchanted with her monarchy. The creatures who inhabit her thicket are demanding a democracy. For the first time, she must run for election to stay in power. But Gwennyth takes issue with the suggested changes to her image that her political consultant has come up with. Will her most trusted advisor help her figure out how to appeal to voters without changing who she really is? This two-woman 10-minute comedy is ideal for the stage or an audio production.

He's a sweet Midwesterner. She's a vampire who has roamed the earth for hundreds of years. They're in love. But can Nora trust Steve enough to show him her authentic self? A 15-minute comedy.

“Cuckoo Clock” is a one-act farce about a first date that goes horribly wrong, set inside a German restaurant. Hotshot college senior Grant, hellbent on getting his future in order, already has his whole life with Jill planned. Will Jill succumb to the fantasy and her people-pleaser tendencies? Will their waitress Wilma eliminate Jill as competition and finally attract Grant’s attention? And what’s up with that guy sitting in the corner? A cautionary tale for anyone who believes a relationship will save them, “Cuckoo Clock” explores what happens when people feel like they’re running out of time.

This farce holds up a mirror – or, well, web cam – to the work-from-home struggles of the COVID-19 pandemic. It’s April 2020 and this Zoom meeting could be the difference between a company going under or adapting to the changing consumer needs of the pandemic. Can these employees at an office-wear fashion company convince people to wear pants with buttons again? Was adopting a puppy a mistake? Why are the kids watching Frozen instead of doing virtual school? These coworkers will have to learn to handle family drama on-camera, bridge generational gaps with each other and, for the love of all that is holy, learn when to mute. This 15-minute comedy can be produced virtually or onstage.