Artistic Statement
I've always been a manifestor. I get an idea that I can't get out of my brain and then I visualize the completed task or project, down to every last detail.
And then I just do it.
Remember that scene in "Miracle on 34th Street" where Kris Kringle is teaching Susan how to pretend?
"How would you like to make snowballs in the summertime? Or drive a big bus right down Fifth Avenue?" He’s telling her about possibilities, which is a huge reason I became a writer.
I have always loved the theater and look forward to inspiring audiences with possibilities.
And then I just do it.
Remember that scene in "Miracle on 34th Street" where Kris Kringle is teaching Susan how to pretend?
"How would you like to make snowballs in the summertime? Or drive a big bus right down Fifth Avenue?" He’s telling her about possibilities, which is a huge reason I became a writer.
I have always loved the theater and look forward to inspiring audiences with possibilities.
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Eleyne-Mari Sharp
Artistic Statement
I've always been a manifestor. I get an idea that I can't get out of my brain and then I visualize the completed task or project, down to every last detail.
And then I just do it.
Remember that scene in "Miracle on 34th Street" where Kris Kringle is teaching Susan how to pretend?
"How would you like to make snowballs in the summertime? Or drive a big bus right down Fifth Avenue?" He’s telling her about possibilities, which is a huge reason I became a writer.
I have always loved the theater and look forward to inspiring audiences with possibilities.
And then I just do it.
Remember that scene in "Miracle on 34th Street" where Kris Kringle is teaching Susan how to pretend?
"How would you like to make snowballs in the summertime? Or drive a big bus right down Fifth Avenue?" He’s telling her about possibilities, which is a huge reason I became a writer.
I have always loved the theater and look forward to inspiring audiences with possibilities.