“ Wow. A deeply chilling, occasionally queasily funny satire that uses the revisionist rhetoric of past racist works like Song of the South to present a disturbing future where history is distorted to fit a white supremacist narrative (more than it already is). Made even more chilling in the wake of our president's recent pledge to teach "American Exceptionalism" and label antiracist education as "Anti-American." Just stunning. ”

“ A fascinating play that recontextualizes the first "talking picture" The Jazz Singer (and the moral panic surrounding it) to tell a story about tradition vs. evolution, family love, and punk rock in New York City circa 1976. I appreciated how it leaves so much up to the production to figure out how the music should sound, giving stylistic examples but allowing the company to interpret the directions. I'd love to see this onstage! ”

“ This adaptation does a great job making China Miéville's fantastical narrative digestible and compelling in a dramatic form, while also crafting a generally fun noirish mystery plot with a dash of Orwellian doublethink. I would've loved to have seen this one onstage! ”

“ A compelling, thorny play that exists at the intersections of race, privilege, power, and protest, not offering easy answers but all the more effective for that. It feels both skeptical of social movements' ability to enact sweeping change against entrenched power structures, but also suggests that such action is necessary, even if ultimately change is piecemeal and slow. A play that's only become more relevant in recent months as demands for systemic change have grown louder. ”