I was immediately swept up in the New York vaudeville scene of the 1920s with Zareh Artinian's incredibly engaging look at an Italian painter seeking to paint scenery and to get to know the boss's daughter a little better. The dialogue feels so authentic, and the characters are so well-drawn. The story feels bigger than this short play provides, and my hope is that "The Big Brush" expands and Artinian uses an even bigger "pen" to make it a full-length play. It's a fantastic piece of dramatic writing.
I was immediately swept up in the New York vaudeville scene of the 1920s with Zareh Artinian's incredibly engaging look at an Italian painter seeking to paint scenery and to get to know the boss's daughter a little better. The dialogue feels so authentic, and the characters are so well-drawn. The story feels bigger than this short play provides, and my hope is that "The Big Brush" expands and Artinian uses an even bigger "pen" to make it a full-length play. It's a fantastic piece of dramatic writing.