SAMARITAN by
“Altruism doesn't belong on top of a mountain.”
Set in the not-too-distant future where climbing the highest mountain is the “now” American experience--Renata Markor is determined to identify the stranger who left her husband, Greg, to die on an ill-fated ascent up Mt. Everest. In spite of Greg's protestations that he can't identify him, Renata finds...
Set in the not-too-distant future where climbing the highest mountain is the “now” American experience--Renata Markor is determined to identify the stranger who left her husband, Greg, to die on an ill-fated ascent up Mt. Everest. In spite of Greg's protestations that he can't identify him, Renata finds...
“Altruism doesn't belong on top of a mountain.”
Set in the not-too-distant future where climbing the highest mountain is the “now” American experience--Renata Markor is determined to identify the stranger who left her husband, Greg, to die on an ill-fated ascent up Mt. Everest. In spite of Greg's protestations that he can't identify him, Renata finds the man; but she discovers more about her own values and her marriage in the process. Interspersed between the scenes are images and sounds of the future and symbolic representations of the actual scene where Greg faces the stranger. Based on a true story.
Set in the not-too-distant future where climbing the highest mountain is the “now” American experience--Renata Markor is determined to identify the stranger who left her husband, Greg, to die on an ill-fated ascent up Mt. Everest. In spite of Greg's protestations that he can't identify him, Renata finds the man; but she discovers more about her own values and her marriage in the process. Interspersed between the scenes are images and sounds of the future and symbolic representations of the actual scene where Greg faces the stranger. Based on a true story.