“50 Shades” this isn’t. Thank God for that. Amidst Kendall’s powerhouse dramedy about just why in the hell we’re turned on by what turns us on is a pleasantly educational window into a world we know of but maybe don’t truly know. Each actor/designer gets a chance to shine during the wild ride of power shifts. Clementine, in particular, gives us some real “Hail, Aphrodite!” vibes, but Kendall instills her with depth and a guarded demeanor that only a human can have, and would be a delight to watch an actor bring her to life.
“50 Shades” this isn’t. Thank God for that. Amidst Kendall’s powerhouse dramedy about just why in the hell we’re turned on by what turns us on is a pleasantly educational window into a world we know of but maybe don’t truly know. Each actor/designer gets a chance to shine during the wild ride of power shifts. Clementine, in particular, gives us some real “Hail, Aphrodite!” vibes, but Kendall instills her with depth and a guarded demeanor that only a human can have, and would be a delight to watch an actor bring her to life.