Gloria Bond Clunie

Gloria Bond Clunie

Gloria Bond Clunie is an award-winning playwright, director and educator.

Ms. Clunie is a founding member of the Playwriting Ensemble at Chicago’s Regional Tony Award winning Victory Gardens Theater where her plays North Star, Living Green and Shoes premiered. She is also the founding Artistic Director of Evanston’s Fleetwood-Jourdain Theatrewhere she directed scores of productions including Ain...
Gloria Bond Clunie is an award-winning playwright, director and educator.

Ms. Clunie is a founding member of the Playwriting Ensemble at Chicago’s Regional Tony Award winning Victory Gardens Theater where her plays North Star, Living Green and Shoes premiered. She is also the founding Artistic Director of Evanston’s Fleetwood-Jourdain Theatrewhere she directed scores of productions including Ain't Misbehavin', Ceremonies in Dark Old Men, Home and Raisin.

Other plays include Sweet Water Taste, SMOKE, Sing, Malindy, Sing!, BLU, Buck Naked, DRIP, Patricia McKissack’s Mirandy and Brother Wind, Bankruptcy, Merry Kwanzaa, Mercy Rising and QUARK. She is published by Dramatic Publishing and in the anthologies Seven Black Plays, Reimagining A Raisin In the Sun and The Bully Plays. Her plays have been produced and workshopped in a variety of theaters including Victory Gardens Theatre, Goodman Theatre, Fleetwood-Jourdain Theatre, ETA, Alliance Theatre, Triad Stage, Her Story Theatre, MPAACT, Chicago Children’s Theatre, American Blues Theatre, Southern Appalachian Repertory Theatre, Penobscot Theatre and Orlando Shakespeare Theater.

Ms. Clunie has been recognized for her work in theater and education by the NAACP, AKA and DST Sororities, American Alliance for Theatre and Education and the Vision Keepers. Awards include a Chicago Jeff, a Children’s Theater Foundation of America Orlin Corey Medallion, a Scott McPherson, a Dramatists Guild Fellowship, Theodore Ward African-American Playwriting Prizes, New York’s New Professional Theater Award, Chicago Black Theatre Alliance Awards, NEA and Illinois Arts Council Fellowships, the Evanston Mayor’s Award for the Arts and most recently the 2018 YWCA YWomen Leadership Award.

This Northwestern graduate (B.A. Theater, MFA-Directing) is honored her drama Shoes was included in the 2015 Women Playwrights International Conference in Cape Town, South Africa; that SMOKE was featured in Chicago’s Her Story Theater Writers Series, Dayton Playhouse’s 2015 FutureFest, 2015 New Works at Playhouse On The Square in Memphis, 2016 Barter Theatre’s Appalachian Festival of Playwrights in Virginia, and a part of 2017 New Play Lab at Florida Rep. In July 2016, with the goal to explore violence in America, Fleetwood-Jourdain Theatre commissioned and premiered A Shot-#Love Stories inspired by Black Lives Matter.
In 2014, Ms. Clunie was an Artist-In-Residence at Byrdcliffe Arts Colony in Woodstock New York and at 360 Xochi Quetzal Arts Residency, Chapala, Jalisco, Mexico where she completed BLU- as both a two act drama and a new musical exploring bullying. BLU was read at The Growing Stage Children’s Theater of New Jersey New Play Festival, was the featured play in the AATE Utah Playwrights In Our Schools Program and workshopped in Arizona at 2017 WRITE NOW, a TYA collaboration between Childsplay Theatre and Indiana Rep. Thanks to a grant from the Children’s Theatre Foundation of America, BLU-The Musical was workshopped in September 2017. Her comedy Buck Naked was featured in the inaugural 2017 Women Playwrights Initiative at Ivoryton Playhouse in Connecticut.

In January 2018, she served as both playwright and director for My Wonderful Birthday Suit commissioned by Chicago Children’s Theatre, while her adaptation of The Last Stop on Market Street (2016 Caldecott/ 2016 Newbery/ 2016 Coretta Scott King Book Awards) premiered in November at Children’s Theatre of Charlotte, went to Dallas Children’s Theatre and Bay Area Children’s Theatre in 2020, and will be at Milwaukee’s First Stage in 2022. She is excited her comedy Sweet Water Taste enjoyed nightly standing ovations in 2019 at Atlanta’s Horizon Theatre Company is part of the 2021-22 Orlando Shakes Season. Currently, she is working on the musical SKY, begun at California’s Djerassi Resident Artists Program and fueled by her love of Chicago architecture; adapting Giraffes Can’t Dance- The Musical and THE Hula- Hoopin’ Queen; and inspired by her love of rollercoasters, she is developing Tall Enough for the 2021-22 Cunningham Commission at The Theatre School of DePaul University.

Originally from Henderson, North Carolina, she and her husband Basil live in Evanston, Illinois and are the proud parents of Aurelia, an amazing theater artist and daughter.

Plays

  • SMOKE
    (two-act drama, 2 males, 2 females) It's the 1960's! Camels are Kool and tobacco is king in Carolina! When country store owner Ora Rakestraw meets the mysterious union organizer Wallace Johnson—love, promises, and secrets collide with small town southern politics in one sizzling, tumultuous summer!
    (O’Neill Conference, semifinalist, READINGS: PlayFest Harriet Lake Festival of New Plays,...
    (two-act drama, 2 males, 2 females) It's the 1960's! Camels are Kool and tobacco is king in Carolina! When country store owner Ora Rakestraw meets the mysterious union organizer Wallace Johnson—love, promises, and secrets collide with small town southern politics in one sizzling, tumultuous summer!
    (O’Neill Conference, semifinalist, READINGS: PlayFest Harriet Lake Festival of New Plays, Orlando Shakespeare Theater; Chicago Writer’s Exchange, Her Story Theater, Chicago; 2015 FutureFest, Dayton Playhouse 2015 New Works at Playhouse On The Square, Memphis; 2016 Southern Appalachian Play Festival, 2017 Florida Rep Playfest)
  • NORTH STAR
    NORTH STAR - (drama, 6 males, 5 females w/doubling-Note: A) Ethnically specific version & B) a color-conscious version to cast actors, regardless of race)

    A POWERFUL COMING OF AGE STORY! A young girl faces life-changing choices in the midst of the Civil Rights era.

    Set in North Carolina in the 1960s, North Star is the story of Relia, an African-American girl, searching for...
    NORTH STAR - (drama, 6 males, 5 females w/doubling-Note: A) Ethnically specific version & B) a color-conscious version to cast actors, regardless of race)

    A POWERFUL COMING OF AGE STORY! A young girl faces life-changing choices in the midst of the Civil Rights era.

    Set in North Carolina in the 1960s, North Star is the story of Relia, an African-American girl, searching for her place to shine in both society and her personal life. The joyous innocence of Relia's summer is transformed by the rising tensions of the growing civil rights movement. Relia's parents are hotly divided between letting her participate in the demonstrations and shielding her from the harsh realities of the civil rights struggle and their community's battle for freedom. Relia's memories of magical moments stargazing with her father help guide her as she risks her life to be a part of "Big Freedom."

    1995 PREMIERE~VICTORY GARDENS THEATER, CHICAGO REVIEWS: “powerfully depicts impact on one family in the ‘60’s” (Chicago Tribune), “strong, poetic streak, appealing characters, . . . a sense of humor.” (Chicago Sun‐Times).

  • MERCY RISING
    (two-act drama, 3 females, 1 male) Tackles privacy in the modern world, the science of a rocky marriage, and the dire consequences that occur when high school basketball star Mercy Angel jumps the backyard fence of a condensed matter physicist and tries to steal his apples. Readings: Northern Writes Festival, Penobscot Theatre, Bangor, ME, (reading), Summer Reading Series, Fleetwood-Jourdain Theatre, Evanston...
    (two-act drama, 3 females, 1 male) Tackles privacy in the modern world, the science of a rocky marriage, and the dire consequences that occur when high school basketball star Mercy Angel jumps the backyard fence of a condensed matter physicist and tries to steal his apples. Readings: Northern Writes Festival, Penobscot Theatre, Bangor, ME, (reading), Summer Reading Series, Fleetwood-Jourdain Theatre, Evanston, IL, (reading); O’Neill Conference, semifinalist, 2020 Risk Theater Modern Tragedy, finalist.
  • SKY-A CHICAGO MUSICAL
    (two-act musical, 15 characters-7 women, 8 men w/doubling, additional chorus may be added)) A musical inspired by Chicago’s Magnificent Skyline and her courage to build! Brilliant young African-American architect Rose Cornelia Green fights to make her mark on the Chicago skyline while trying to prevent her family and a dying West Side community from disintegrating. {Supported in part by Djerassi Resident Artists Program}
  • LIVING GREEN
    LIVING GREEN - (drama, 4 males, 3 females)

    A wealthy suburban family wonders, “Can we return to the ‘old neighborhood’ and make a difference?” Inspired by A RAISIN IN THE SUN.


    It’s 1995 - the year of the Million Man March. Frank and Angela Freeman, an affluent Black couple in a mostly white Chicago suburb, collide when they decide to sell their mini-mansion to fund their...
    LIVING GREEN - (drama, 4 males, 3 females)

    A wealthy suburban family wonders, “Can we return to the ‘old neighborhood’ and make a difference?” Inspired by A RAISIN IN THE SUN.


    It’s 1995 - the year of the Million Man March. Frank and Angela Freeman, an affluent Black couple in a mostly white Chicago suburb, collide when they decide to sell their mini-mansion to fund their daughter’s education. Should they move their family to another “safe” white community or return to rediscover their roots in “the old neighborhood?” A modern homage to “A Raisin In The Sun,” this timely work by Gloria Bond Clunie (author of the award-winning “North Star” and “Shoes”) poses the question, “What happens to our society when we flee the communities that once nurtured us?” 2009 PREMIERE~ VICTORY GARDENS THEATRE~REVIEWS: “rich, enjoyable, memorable. . . a very gutsy piece of writing (Chris Jones, Chicago Tribune) . . .“tills fertile ground. . .impassioned. . . impressive . . .” (Hedy Weiss, Chicago Sun Times), “question that is still crucial . . . immensely likeable characters” (Megan Powell, Time Out Chicago), “you laugh. . . feel a tear. . . I think Ms. Bond Clunie has it!" (Al Bresloff, Epoch Times), “vibrant . . . insightful and culturally relevant play . . . exceptionally well‐written, (Brian Murphy, Evanston Roundtable).

  • Blowin' Fire
    A ghost story! In a former Underground Railroad Station, four generations battle with the supernatural to heal family wounds, save a Chicago boy from big city violence, and cope with the legacies of slavery that still scar the 21st century. [2017 August Wilson New Play Initiative, Congo Square Theatre, Chicago.]

  • BUCK NAKED
    (one-act comedy, 3 females) Two sisters are thrown into a tizzy when they discover their mother buck-naked in the back yard, convinced that becoming a nudist will spice up her senior years! [2015 Heartland New Play Prize & staged reading, Heartland Theatre Company, Bloomington, IL; 2015 BoxFest, Detroit, 2017 Women’s Playwrights Initiative, Ivoryton Playhouse, CT]
  • THE POPPY
    (two-act verse drama, 2 females, 2 males, 1 male or female) On the 100th Anniversary of World War I, a desperate race to the Tower of London forces a medieval mother, a World War I soldier, a World War II veteran, and an artist who crafts memorial poppies to wrestle with war, sacrifice, love and beauty in the modern world. Utah Valley University (reading - March 2015); 2017 O’Neill Conference semifinalist.