Karen Saari writes plays with themes of redemption, hope and humor in the face of obstacles. Her early roots in Michigan's Upper Peninsula are evident in most of her work. She also writes about robots and witches. So there's that.
Her full-length plays include ‘RAIN ON FIRE, BAD IN BED (A FAIRY TALE), IN A CLEARING, TRAGEDY SOUND, MORNINGS WITH JUNE and ROCKHOUND. She also wrote the book and co-lyrics (with composer Jennifer Hedstrom) for TEN DAYS IN A MADHOUSE. One-acts include JOYLAND and GUN STORY.
Karen is a three-time O’Neill NPC semi-finalist (IN A CLEARING, MORNINGS WITH JUNE), two-time ATHE Award/Judith Royer Excellence in Playwriting finalist and a two-time Princess Grace Fellowship semi-finalist (IN A CLEARING, BAD IN BED).
Her plays have been developed and/or produced with...
Karen Saari writes plays with themes of redemption, hope and humor in the face of obstacles. Her early roots in Michigan's Upper Peninsula are evident in most of her work. She also writes about robots and witches. So there's that.
Her full-length plays include ‘RAIN ON FIRE, BAD IN BED (A FAIRY TALE), IN A CLEARING, TRAGEDY SOUND, MORNINGS WITH JUNE and ROCKHOUND. She also wrote the book and co-lyrics (with composer Jennifer Hedstrom) for TEN DAYS IN A MADHOUSE. One-acts include JOYLAND and GUN STORY.
Karen is a three-time O’Neill NPC semi-finalist (IN A CLEARING, MORNINGS WITH JUNE), two-time ATHE Award/Judith Royer Excellence in Playwriting finalist and a two-time Princess Grace Fellowship semi-finalist (IN A CLEARING, BAD IN BED).
Her plays have been developed and/or produced with Flint Repertory Theatre, Renaissance Theaterworks, Magnetic Theatre Company, Forward Theater Company, The Shattered Glass Project, Broad Horizons Theatre Company, Vintage Theatre Company, Stray Dog Theatre, Acadiana Repertory, Last Frontier (Valdez) Theatre Festival, William Inge Theater Festival, The Blank Theatre, Otherworld Theatre, among others.
She was commissioned by Music Theatre of Madison to co-write TEN DAYS IN A MADHOUSE, which celebrated a successful world premiere in Aug 2022. Its four-year development process included a public reading in Dec. 2019 and a workshop podcast (a COVID-forced alternative to original plans) was awarded two NAMT development grants.
Other honors include 2023 Playwrights Realm semi-finalist (TRAGEDY SOUND), 2022 Panndora Productions New Works Festival Honorable Mention (MORNINGS WITH JUNE), 2020 TalkBack Theatre Playwriting Prize (‘RAIN ON FIRE), The 4208 Group’s 2021 Audience Favorite Award (JOYLAND), 2018 Garry Marshall New Play Festival semi-finalist (BAD IN BED), 2022 The City Theatre National Playwriting Contest finalist (JOYLAND).
Karen is a performing arts instructor at Madison Area Technical College and a mom to two awesome kids. She earned her MFA in playwriting from Augsburg University. She intends to keep writing plays as long as the characters keep tapping her on the shoulder.