Kelly began researching this play before Trump was elected, but now it is painfully topical. Set in 1924, the play shows us good women who accept the KKK as part of their community, but who find themselves fighting against the Klan’s excesses. The characters are each a combination of clarity and foolishness, community spirit and backstabbing. And they are wonderfully created by their language—the flapper, the old Suffragette, the nice Midwestern lady. This will keep audiences glued to their seats, despite the complexity of the characters and their uncomfortable ideas. People need to see it.
Kelly began researching this play before Trump was elected, but now it is painfully topical. Set in 1924, the play shows us good women who accept the KKK as part of their community, but who find themselves fighting against the Klan’s excesses. The characters are each a combination of clarity and foolishness, community spirit and backstabbing. And they are wonderfully created by their language—the flapper, the old Suffragette, the nice Midwestern lady. This will keep audiences glued to their seats, despite the complexity of the characters and their uncomfortable ideas. People need to see it.