FULL LENTH TWO ACT (approx. 120 mins)
A violin and viola pair were created for a married couple who never saw them before they died on the Titanic. Ever since "The Dark Swans" as they are know, are said to mar the lives of those who own or play them with tragedy.
In 2007 two young people inherit the Dark Swans. One is a reclusive, angry music student. The other is a startlingly insightful autistic girl in high school. Neither have yet admitted they love each other.

ONE ACT (approx 60 mins)
A retelling of Hellenistic myth, filling in some missing details and linking the story of Medusa with that of Persephone.

FULL LENGTH TWO ACT (approx 120 mins)
An LGBTQ bedroom farce set in Victorian London, 1840.
In the wake of Queen Victoria's wedding, the families of Lucas and Alfred--two members of the upper crust--insist they need to marry. In one case this is an ultimatum. What almost no one realizes is they are already in love and committed to each other. Alfred's cousin Helena offers to help, which involves inviting everyone to her estate outside London. Lucas reluctantly agrees, only too aware their hostess has more than warm feelings for his sister, Charlotte.
What follows involves mistaken identities, convoluted plots and conspiracy theories, Tory politics, advice from many quarter about marriage, revelations, mis-interpretations, a vast number of exits and entrances, as well as a sword fight! But amid all the antics, what it boils down to is the question of how to live in a very imperfect world, which puts far too many demands upon us.

FULL LENGTH (approx 120 mins)
ZOOM-able
A radio play (which can be performed on stage).
A Christian radio station puts on an adaptation of Le Fanu's gothic classic "Carmilla" without quite realizing the play's real point of view.
In the 1840s an isolated girl living with the Austrian Empire finally makes a friend when a mysterious stranger ends up staying with her small family in a small, old castle. She soon begins having strange dreams, while sickness afflict local girls in the area. Laura is in fact falling in love with her visitor, who may indeed feel the same way--even though she is no longer human.
This adaptation overturns many assumptions inherent in the most versions, not least by noting the sexist and racist political climate of the era, and presuming Laura an unreliable narrator.

FULL LENGTH TWO ACT (approx. 120 mins)
ZOOM-able
A non-medieval day "mystery play".
Esther returns home to a small coastal town in Georgia as Hurricane Enoch approaches.
Why has she come home?
Her mother is surprised but welcomes her and eventually mentions she's started attending Baptist Church with her friends.
Why has she stopped going to a Roman Catholic Church?
Noah, who is Esther's uncle, has bought a former lighthouse keeper's cottage and has decided to sit out the hurricane there.
Why is he doing this?
Deborah, who is Esther's sister, keeps checking up for news of a shrimp boat owned by a friends' uncle.
Why won't she reveal any details about this friend?
Oh, and it the keeper's cottage haunted? If so, by what?

The second world war is about to begin. But Laura and her father remain isolated, living in a part of the Austrian countryside all-but-deserted for hundreds of years. When there is a car accident outside the mansion, and Carmilla, a young women inside the car appears to be in shock, her mother begs them to take the young girl in. As Carmilla’s health is delicate, Laura’s father allows the Countess to leave her daughter in their care. But her mother never returns. Laura and Carmilla spend every waking moment together and over time, the two girls develop a deep passion for each other.
But the ancient curse that once swept the surrounding countryside returns, leaving almost a dozen young girls dead in its wake. People begin to sicken and waste away, eventually passing into the next world as bloodless husks. There is talk of the family that once lived in the very same castle, and whose portraits bear a striking resemblance to Carmilla. People then begin to talk of vampires, as if they are real…

FULL LENGTH THREE ACTS (approx 135 mins)
Zoom-able
Designed as audio drama OR a live action radio play with live foley artist, etc.
An original Sherlock Holmes mystery, revisiting one of his earliest (untold) cases as well as a sequel to one chronicled by Watson. A former client of the great detective has been savagely murdered, her body found amid a circle of standing stones, where a victim of an earlier case had also been found twelve years ago.