Cristina A. Bejan

Cristina A. Bejan

Cristina A. Bejan (Founding Executive Director of Bucharest Inside the Beltway) is an award-winning Romanian-American theatre artist, historian and spoken word poet based in Denver, CO. In 2022 her plays have appeared in the Colorado Women's Theatre Festival and at Baron's Court Theatre, London, UK. She has been a practicing theatre artist for over thirty years and is a proud member of the Dramatist...
Cristina A. Bejan (Founding Executive Director of Bucharest Inside the Beltway) is an award-winning Romanian-American theatre artist, historian and spoken word poet based in Denver, CO. In 2022 her plays have appeared in the Colorado Women's Theatre Festival and at Baron's Court Theatre, London, UK. She has been a practicing theatre artist for over thirty years and is a proud member of the Dramatist Guild of America, the International Center for Women's Playwrights, and the BETC Writers Group. Bejan has written nineteen plays, many of which have been produced in the United States and internationally. She has directed, assistant directed, sound designed, dialect coached, marketed, produced and worked as dramaturg or actor on countless productions. She trained at Northwestern University, Interlochen Center for the Arts and Washington DC's Studio Theatre Conservatory. Bejan is a proud member of the Dramatist Guild of America and Butterfly Ensemble Theatre Company (BETC)'s Writers Group. As a theatre artist has collaborated with the Source Theatre (DC, Mead Theater Lab Program), Mosaic Theater Company (DC), Woolly Mammoth Theatre Company (DC), Theatre J (DC), Washington DC Coalition for Theatre and Social Justice, Wilton's Music Hall (London), Teatrul Foarte Mic (Bucharest), Burning Coal Theatre (Raleigh, NC) and Fearless Theatre (Denver, CO), among others. Her work has been featured in the Capital Fringe Festival, DC Black Theatre Festival, Kennedy Center Page to Stage Festival, NC Women's Theatre Festival, Jersey City New Play Festival, and Rough Draft Playwrights (CO), among others. She is certified in Augusto Boal's Theatre of the Oppressed and has also served as a Henry Awards Judge with the Colorado Theatre Guild. She currently teaches history and theatre at Metropolitan State University of Denver. As a professor Bejan has taught at four universities (including Duke and Georgetown) and Wake Technical Community College, and she has also had professional appointments at the United States Holocaust Memorial Museum and the Woodrow Wilson International Center for Scholars. She has authored 19 plays, two books ("Intellectuals and Fascism in Interwar Romania: The Criterion Association" and "Green Horses on the Walls - a collection of poems") and numerous essays. Selected play titles by Bejan include: "Districtland," "Colombo Calling – a play from Sri Lanka," "To Those Who Haven’t Stopped Thinking" and "In Search of Couches." Two of her plays ("Finally Quiet in My Head" and "Etrangere") were selected as finalists in the Oxford University Dramatic Society New Writing Festival and "Buchenwald" has been published in Romania. Her most recent play "J'y suis j'y reste / Here I am, here I stay," was published in the 2020 Solis Press anthology about refugees and immigrants "Voices on the Move" (edited by playwright Domnica Radulescu and poet Roxana Cazan). Bejan has also directed for the theatre and film in the US, UK, Romania and Vanuatu: DC credits include "Zalmoxis" (Georgetown), "The Journals of Mihail Sebastian" (WWC) and "Dirty Laundry" (Ticket to Bollywood). Bejan was the creative consultant for Caryl Churchill’s "Mad Forest" directed by Lila Neugebauer at the 2014 Williamstown Theatre Festival. As an actor, she has performed in countless productions since childhood. Bejan is a certified Yoga Instructor and integrates yoga, movement, dance and meditation into her rehearsals. She also is passionate about (and has credits in) sound design and dramaturgy. Bejan's theatre work has been featured in "The Washington Post," "The Huffington Post," "Evenimentul Zilei" and "Observator Cultural." As an artist, she has also been interviewed frequently for Romanian TV and radio. In her creative career, Bejan is honored to have worked with such distinguished theatre artists as Maia Morgenstern, Isabela Neamtu, Ana Popescu, Lou Stein, Henry Goodman and Rosamund Pike. She has also had the pleasure of producing plays to sponsor such causes as the LiteracyLab DC, International Medical Corps, Ovidiu Rom and UNIFEM. From 2005-2008 She was the Artistic Director of Théâtre Fille de Chambre, a 'feminine' theatre company in Oxford, UK. Bejan developed and directed "Ol Woman Naoia," a collaborative production with female artists in the South Pacific island archipelago Vanuatu about women’s rights and empowerment. Out of the success of that project Bejan was approached by the World Bank to write plays for development for the northern islands of Vanuatu. She turned the offer down to brave the rat-race of Washington DC, where she became a spoken word poet, performing under her stage-name Lady Godiva. In 2013 Bejan cofounded the arts collective and creative platform Bucharest Inside the Beltway (BiB), inspired by the fearlessness of artists in Bucharest. For the past 8 years she has served as Executive Director of BiB, which is now headquartered in Denver, Colorado. She is a proud dual citizen of USA and Romania (EU) and (to her knowledge) Romania's only Rhodes Scholar.

Plays

  • "The Scholarship" by Cristina A. Bejan & James Brunt
    “The Scholarship” is a new play written and performed by Denver spoken word poets and playwrights Brunt Poetry (James Brunt) and Lady Godiva (Cristina A. Bejan). Conceived as a protest play inspired by Black Lives Matter and the Rhodes Must Fall movements, “The Scholarship” aims to educate about the troubling history of racist and imperialist diamond tycoon Cecil Rhodes and the Oxford postgraduate scholarship...
    “The Scholarship” is a new play written and performed by Denver spoken word poets and playwrights Brunt Poetry (James Brunt) and Lady Godiva (Cristina A. Bejan). Conceived as a protest play inspired by Black Lives Matter and the Rhodes Must Fall movements, “The Scholarship” aims to educate about the troubling history of racist and imperialist diamond tycoon Cecil Rhodes and the Oxford postgraduate scholarship established in his name and illustrate that what the scholarship has become (despite so many progressive changes and mutations) in no way justifies the Rhodes Trust’s insistence to continue to use the Rhodes name. The play’s final line captures the genuine motive of the playwrights: “Let’s find a name of a Rhodes Scholar whose name we can celebrate, or simply call the most famous scholarship in the world …..The Scholarship.” 2021 virtual production by Theatre29 Denver and Bucharest Inside the Beltway. 2022 rehearsed live reading in "Plays for Ukraine" festival in London produced by Kibo Productions and Baron's Court Theatre.

    Social issues: racism, colonialism, British imperialism, American imperialism, power, elites, decolonization, education

    Script is available upon request from playwright Cristina A. Bejan. You can email her at bejan.cristina@gmail.com
  • J'y suis, j'y reste (Here I am, here I stay)
    Music is the home of the exile. One immigrant's story from Romania to North Carolina. Script commissioned to be published in the edited volume: "Voices on the Move: An Anthology by and about Refugees," Domnica Radulescu and Roxana Cazan (eds.), Solis Press, 2020. Available for download here.
  • Buchenwald
    Buchenwald explores man's hunger for power and the fight for something greater than the individual. Set in 1946, the show discloses the continued use of Nazi concentration camps as Soviet extermination camps for the Germans. Imprisoned by the Soviets, Nazi SS Colonel Max Richter reaches out to save the future of his young Soviet guard, Sasha Novsky.
  • Colombo Calling - a play from Sri Lanka
    Having recently received a PhD from Cambridge, Karthi returns to Colombo for the first time in twenty-two years. He comes to settle family affairs as his mother lays on her death-bed in London. His male cousin, Shahan, is a loud, vocal Sri Lankan with a very strong Tamil identity, and Shahan's sister, Thushanti, is Colombo's most famous and desired party girl. Shahan works for an American NGO set up...
    Having recently received a PhD from Cambridge, Karthi returns to Colombo for the first time in twenty-two years. He comes to settle family affairs as his mother lays on her death-bed in London. His male cousin, Shahan, is a loud, vocal Sri Lankan with a very strong Tamil identity, and Shahan's sister, Thushanti, is Colombo's most famous and desired party girl. Shahan works for an American NGO set up post- Tsunami through which met his New Zealander girlfriend, Molly. Karthi's aunt, Varthini, has difficulty accepting Karthi's family's rejection of their homeland, her own children's erratic behavior and the extreme changes happening in Sri Lanka due to never-ending civil war, natural disaster and international humanitarian intervention. Facing discrimination and racism even as a visitor, Karthi learns what it means to be Tamil in 2006 Sri Lanka. Setting: Colombo and Batticaloa, Sri Lanka.
  • DISTRICTLAND
    A day in the life of group of young DC go-getter types, living in a shared house in a transition neighborhood. Frank interns on Capitol Hill, Dave is an unemployed Georgetown Law grad, Charity is a former Peace Corps who works for an indigenous NGO and Maria is a Cuban-American Rhodes scholar at the State Department. Professional and relationship drama ensue. The script is a glimpse into the various DC worlds...
    A day in the life of group of young DC go-getter types, living in a shared house in a transition neighborhood. Frank interns on Capitol Hill, Dave is an unemployed Georgetown Law grad, Charity is a former Peace Corps who works for an indigenous NGO and Maria is a Cuban-American Rhodes scholar at the State Department. Professional and relationship drama ensue. The script is a glimpse into the various DC worlds the characters interact with: including the IMF, World Bank, McKinsey, spoken word poetry (e.g. Busboys and Poets), an Afghani cabbie's quest for literary fame and an absolutely absurd lobbying group called Saving the Dogs of Bucharest.

    World premiere took place in July 2014 at the Capital Fringe Theatre Festival in Washington DC, directed by John Dellaporta. The show sold-out its entire extended run. Script optioned by Russell Max Simon for development into a TV series. DISTRICTLAND TV Pilot has been shot and headlined the DC Independent Film Festival in March 2016. Both the play and the TV show have been featured favorably in the Washington Post.

    DISTRICTLAND has been published in Bejan's play anthology "FINALLY QUIET: Four Plays from Bucharest to Washington DC" with No Passport Press in 2023. You can order the book on Amazon and Barnes & Noble, or by contacting Bejan directly via her website: cristinaabejan.com
  • Finally Quiet in My Head
    "Finally Quiet in my Head" tells the story of native Washingtonian Morgan and her unlikely friendship with Gerard, the Senegalese man whose humor and kind spirit might have saved Morgan inside the hospital. It explores the struggles Morgan’s family and friends face when coming to terms with Morgan’s mental illness, and the inability for her loved ones and doctors alike to understand what it means for...
    "Finally Quiet in my Head" tells the story of native Washingtonian Morgan and her unlikely friendship with Gerard, the Senegalese man whose humor and kind spirit might have saved Morgan inside the hospital. It explores the struggles Morgan’s family and friends face when coming to terms with Morgan’s mental illness, and the inability for her loved ones and doctors alike to understand what it means for her. This play examines the intersections between mental illness and race, gender-based violence, and socio-economic status, all within the context of the District of Columbia. Setting: The psychiatric ward of St. Elizabeth’s Hospital in SE Washington DC; the home of the Walkers in NE DC and the apartment of Tosha in New York City. The time is now.

    "Finally Quiet In my Head" has been published in Bejan's play anthology "FINALLY QUIET: Four Plays from Bucharest to Washington DC" with No Passport Press in 2023. You can order the book on Amazon and Barnes & Noble, or by contacting Bejan directly via her website: cristinaabejan.com
  • Ol Woman Naoia - tri blong hanred plis (contributing playwright)
    Ol Woman Naoia: tri blong hanred plis (Women of Today - three shells of kava please) chronicles one day in the life of three young women who work at the same non-profit in Port Vila, the capital city of Vanuatu, an island archipelago in the South Pacific. Leipakoa suffers from domestic violence. Ana wins a scholarship to study abroad but struggles with the prospect of leaving her young daughter. Dawn is the...
    Ol Woman Naoia: tri blong hanred plis (Women of Today - three shells of kava please) chronicles one day in the life of three young women who work at the same non-profit in Port Vila, the capital city of Vanuatu, an island archipelago in the South Pacific. Leipakoa suffers from domestic violence. Ana wins a scholarship to study abroad but struggles with the prospect of leaving her young daughter. Dawn is the expat volunteer who feels out of place in ni-Vanuatu society, as well as the expat world. She has a very awkward lunch with Hilary, a typical racist expat. the script is in English, Bislama (the local pidgin dialect) and French, sufficiently representing the melange of languages spoken in Port Vila. there is also a chorus of women who open and close the show, and participate throughout when the scene calls for extras. This project was created in the spring of 2010 in Port Vila, Vanuatu, by a group of local women, Ni-Vanuatu and expat. the group collaborated with VANGO, the central headquarters of all NGOs in Vanuatu, the University of the South Pacific and UNIFeM, which sponsored the post-show talk-back on opening night.

    A theatre play created by women living in Port Vila : Alison Donley; Anna Naupa; Anthea Toka; Charlotte Pitts; Cristina Bejan; Ellenson Taurakoto; Geraldine Tavoa; Hanna Lindley-Jones; Jani Moon; Josiana Jackson; Olivia Johnson; Rebecca Olul; Sally Carter; Tracey Martin; Milena Stefanova
  • Be A Good Girl
    Comedic take on a mother, two sisters and their overlapping romantic liaisons. Setting: the present, an English speaking country.
  • Credo
    On Christmas eve, 16 year-old Jonas is called upon by God (in the form of Ozzy Osbourne) to be the next Messiah. Jonas' Israeli-Jewish father, lapsed-Catholic mother and troubled adolescent sister are more than reluctant to believe him. Jonas struggles with self-doubt but ultimately accepts the challenge when visited by Jesus Christ himself who emerges out of a poster in Jonas' room, as Kurt Cobain....
    On Christmas eve, 16 year-old Jonas is called upon by God (in the form of Ozzy Osbourne) to be the next Messiah. Jonas' Israeli-Jewish father, lapsed-Catholic mother and troubled adolescent sister are more than reluctant to believe him. Jonas struggles with self-doubt but ultimately accepts the challenge when visited by Jesus Christ himself who emerges out of a poster in Jonas' room, as Kurt Cobain. Setting: Christmas Eve at Church and the Schlechtenheimer house.
  • Curious or Insecure in Odessa (a backwards love story)
    "Curious or Insecure in Odessa" is a backward love story told backwards. It begins with the final conversation held between Rose, an Ukrainian-American PhD student, and her lover, Stellan, a Swedish ex-pat short story author living in Odessa. This play as an attempt to better understand what makes us take the destructive leap of faith necessary to fall in love. the overarching question 'Curious...
    "Curious or Insecure in Odessa" is a backward love story told backwards. It begins with the final conversation held between Rose, an Ukrainian-American PhD student, and her lover, Stellan, a Swedish ex-pat short story author living in Odessa. This play as an attempt to better understand what makes us take the destructive leap of faith necessary to fall in love. the overarching question 'Curious or Insecure?' is relevant to both Rose and Stellan when considering why the two were drawn to each other, as an unlikely pair of misfits in an East European barren urban landscape. The play does not aim to give an answer, but does suggest that Rose is mainly curious, whilst Stellan is primarily insecure, and that we all are, when it comes to love, a bit of both. SETTINGS : Washington D.C. and Ukraine (Odessa and surrounding areas).
  • Étrangère
    A stark exploration of both sides' of the Atlantic inability to understand one another. a play about the ultimate alienation of the individual, set against the back-drop of a decaying love story in London and a terrorist kidnapping in Paris. Setting: London and Paris, late summer 2004.
  • Gateway to Heaven
    Bohemian Karl rubs elbows with Ronald Reagan and Madonna in the waiting room to Heaven, as Joan of Arc presides as the registrar/St. Peter's personal secretary.
  • The Happiness Business
    Radu moves out of his NYC apartment he shares with Jeni, to find an environment more conducive to his creativity. He goes to South Carolina where he helps his uncle, Eugene, set up a travel agency in Myrtle Beach. Conversations with Eugene and a client, Leonora, reveal that home is not necessarily where the heart is, and that much of life is about getting back to business. Setting: New York City and Myrtle Beach, South Carolina, USA.
  • In Search of Couches
    A play about putting on the play "No Exit" by Jean-Paul Satre in which we learn that in the realm of the "theatre" hell can really be other people. A tragi-farce based on actual events. Setting: a theatre, an empty stage, dress rehearsal of a production "No Exit," the stage is the stage, the theatre is the theatre, and where the audience is sitting are the many empty seats
  • Lady Godiva
    A play about sexual assault and the crimes of Romanian communism. A one-woman show set to spoken word poetry.
  • Neighbor, Nympho, Fighter, Friend
    One-woman's take on a bizarre family living next door when their lives are destroyed by an incomprehensible murder.
  • Life According to Swami Shiva
    A ten-minute play responding to Aaron Posner's "Life Sucks (Or the Present Ridiculous)" at Theatre J in Washington DC. Selected to be performed in their "LoveSucks" series on February 14, 2015. Ella from "Life Sucks" goes to Shiva, her swami and yoga teacher, for a meditation and yoga session. Sexually repressed at home, she declares her love for Shiva only to discover that...
    A ten-minute play responding to Aaron Posner's "Life Sucks (Or the Present Ridiculous)" at Theatre J in Washington DC. Selected to be performed in their "LoveSucks" series on February 14, 2015. Ella from "Life Sucks" goes to Shiva, her swami and yoga teacher, for a meditation and yoga session. Sexually repressed at home, she declares her love for Shiva only to discover that Shiva has a committed partner, Dimitri. Setting: Shiva’s personal studio/temple for Eastern thought and practice; a lit candle and one lit incense stick, a small statue of the “OM” sign if possible, flower petals spread around these items as offerings. Produced in the 2022 Colorado Women's Theatre Festival, Milibo Arts Theatre, Colorado Springs. Selected for staged reading in the 2015 "Love Sucks" Festival at Theatre J, Washington DC.

    "Life According to Swami Shiva" has been published in Bejan's play anthology "FINALLY QUIET: Four Plays from Bucharest to Washington DC" with No Passport Press in 2023. You can order the book on Amazon and Barnes & Noble, or by contacting Bejan directly via her website: cristinaabejan.com
  • To Those Who Haven't Started Believing
    the sequel to 'To Those Who Haven't Stopped Thinking.' Same characters, Same place. the Politician has been assassinated. Hannah and Vlad stand on Vlad's balcony and survey the destruction of the city. they kiss. Now what? Religion begins to infiltrate the Universe in a seemingly unstoppable way. Hannah attempts to 'help' and Vlad gives up in favor of serving the system. Setting: A...
    the sequel to 'To Those Who Haven't Stopped Thinking.' Same characters, Same place. the Politician has been assassinated. Hannah and Vlad stand on Vlad's balcony and survey the destruction of the city. they kiss. Now what? Religion begins to infiltrate the Universe in a seemingly unstoppable way. Hannah attempts to 'help' and Vlad gives up in favor of serving the system. Setting: A desolate post-Apocalyptic land called ‘The Universe.'
  • To Those Who Haven't Stopped Thinking
    a play about philosophy, love and saving the Universe. Set in a desolate post-apocalyptic land called 'the Universe' characters Hannah (a young philosopher from 'the Beyond') and Vlad (an older teacher from 'the Beyond') come together to 'help' the people of the universe: the Citizens and the Givers. Six actors are required to play the Citizens And Givers, each role can...
    a play about philosophy, love and saving the Universe. Set in a desolate post-apocalyptic land called 'the Universe' characters Hannah (a young philosopher from 'the Beyond') and Vlad (an older teacher from 'the Beyond') come together to 'help' the people of the universe: the Citizens and the Givers. Six actors are required to play the Citizens And Givers, each role can be played by any gender. Setting: A desolate post-Apocalyptic land called ‘The Universe.’

    "To Those Who Haven't Stopped Thinking" has been published in Bejan's play anthology "FINALLY QUIET: Four Plays from Bucharest to Washington DC" with No Passport Press in 2023. You can order the book on Amazon and Barnes & Noble, or by contacting Bejan directly via her website: cristinaabejan.com