“ Zeitler reimagines John Barrie's Peter Pan as magical-realist exploration of Mike Darling's trauma as both a brother with unanswered questions about his sister's mental illness, and as a veteran whose wingman and lover died in his arms during a sneak attack. A great piece for solo performers. ”

“ Though our sympathies align with Charles Gilpin, Pender has crafted a layered and nuanced double portrait of both Gilpin and Eugene O'Neill. The power imbalance of race and money is always present, both artists are dedicated to their craft, believers in the social value of their art, convinced that they know best, and both high-functioning alcoholics, yet their mutual respect and admiration for each other’s artistry feeds into their mutual neediness for respect and admiration, bringing them together and setting up the eventual clash. I reviewed N for Washington City Paper: https://washingtoncitypaper.com/article/538906/n-offers-a-nuanced-look-at-charles-sydney-gilpin-eugene-oneill/ ”

“ Equal parts an absurdist fable with talking animals and a paranoid military satire. Fans of Stanley Kubrick & Terry Southern's script for "Doctor Strangelove" or Firesign Theatre's "Don't Crush That Dwarf, Hand Me The Pliers" will enjoy. ”

“ Eppich-Harris dramatizes not just Friedrich Nietzsche's efforts to break from 19th century orthodoxy as a philosophical provocateur, but the subsequent fights over what his philosophy means, personified by the struggle between his estranged friend, the intellectual Lou Andreas-Salomé, and his literary executor and estranged sister Elisabeth Förster-Nietzsche who in pursuing her own political will-to-power was in the decades following his death reshaped his public image into a philosopher of something he despised: a philosopher of German nationalism. Eppich-Harris' writing is lyrical, psychologically complex, and ultimately political. ”