“ I had the good fortune to see a staged reading of this quirky and creepy ten-minute play that gives an eerie sense of foreboding from the jump. Suarez-Pena is brewing something darkly dangerous here, but adds spoonfuls of hilarity to make it go down easy. Pinkies up! ”

“ When reading and seeing Suarez-Pena’s work performed, it’s easy to recognize her deft skill in sketching characters with such depth and contour that it’s hard not to invest in them almost immediately. In Love Letters, one of the starkest contrasts is the cancel-culture opportunism Bianca brings when she discovers a dark secret from her aunt’s younger days. But Gia feels a firm obligation to protect the past, and the beauty of its memory. Filled with tender moments of emotional longing, and belly laugh revelations, this short play is a winner for two intergenerational women. ”

“ After watching Mind the Gap Theatre’s stellar virtual performance of this piece, Sickles’ gifts couldn’t be clearer. The dark irony of Fedora’s timing is only bested by the scene’s resolution. Love hurts. But it’s also really, really funny! A fantastic monologue for a performer with strong comic chops. ”

“ My students recently used this very clever short for scene work in my theatre classes. Mondeaux demonstrates that even superheroes aren’t impervious to the snags and perils of videoconferencing in our modern world. A fantastic piece for virtual performance, (but could be great fun live as well,) with ample opportunity for wild play with costume design. ”