Lionelle Hamanaka is a member of the Dramatists Guild and a native New Yorker. In February, 2025 The Camp, an opera she wrote the libretto for, collaborating with Daniel Kessner, the former President of US Classical Composers was produced in LA. She won the Jacob Weiser Award, two Ray Stark Awards in memory of Ross Alexander for plays and the Patai Award for an essay; she published and edited Collateral Damage after winning a grant from the A.J. Muskie Foundation. In 2021-2 she wrote two plays exposing the epidemic of anti Asian hate crimes, had a number of staged readings in NYC, radio broadcasts in San Francisco and Houston, won four grants, from HNY, Asian American Bar Assoc. Women's Committee, AAPI-Indie, COMA and as part of a Puffin Grant to Crossways Theatre. Three plays have been...
Lionelle Hamanaka is a member of the Dramatists Guild and a native New Yorker. In February, 2025 The Camp, an opera she wrote the libretto for, collaborating with Daniel Kessner, the former President of US Classical Composers was produced in LA. She won the Jacob Weiser Award, two Ray Stark Awards in memory of Ross Alexander for plays and the Patai Award for an essay; she published and edited Collateral Damage after winning a grant from the A.J. Muskie Foundation. In 2021-2 she wrote two plays exposing the epidemic of anti Asian hate crimes, had a number of staged readings in NYC, radio broadcasts in San Francisco and Houston, won four grants, from HNY, Asian American Bar Assoc. Women's Committee, AAPI-Indie, COMA and as part of a Puffin Grant to Crossways Theatre. Three plays have been produced in New York City and a story and poem appeared in ‘And Then’ magazine. Her play Filial Piety was published by Next Stage Press. Niju Hibakusha was published by Arts Express Magazine in August 2021. She studied playwriting with Gary Garrison and John Dietrich at the Dramatists Guild Institute. She also took 3 courses on Shakespeare by Dr. Greenblatt and one on ancient literature by Dr. Puchner. In 2018 she co-founded Crossways Theatre focused on multiracial multiethnic drama, that has produced 40 staged readings and has produced eight Crossways Theatre's Women's Festivals.