“ This is such a lovely, intimate triplet of a play that delicately explores the intersection of coming of age, queerness, and social expectations. The way the relationships between all three characters evolve slowly but surely feels organic keeps you reading with little moments of suspense and with their poignantly blossoming social and love connections. These characters speak with the "inelegance meets profundity" of real teens--Gina captures the impulsivity and deep yearning and thoughtfulness of the high school years. I'd so love to see this performed! ”

“ An unsettling and tautly written exploration of a cult, and the multitudinous factors (desire to belong, ostracization, falling out of the bounds of "normal" society, and more) that might spur one to be vulnerable to manipulation. Structurally effective with enough surprising reveals to keep the audience on their toes even while giving them big, ponderous questions to think and talk about for many days. I'm excited to see how this piece develops! ”

“ An intimate, compelling, and compassionately written two hander that looks at the ways people expand and contract in relationships and how those changes disrupt careful equilibria and unearth fissures that people desperately try to seal. Samira and Jason are both multi-dimensional, flawed, funny, loving humans and to see them struggle through this moment in their lives is, at turns, poignant, painful, and humorous. Some deep universal truths about love and partnership are shared here, but they are rendered with such a powerful and distinct eye for the characters' intersectional identities. I'd love to see a production of this! ”

“ An original and theatrically compelling exploration of family, grief, and how those two very personal spheres of one's life are inextricably tied to larger cultural and political ones. I appreciated how it felt the play became more expansive and symbolic as it progressed, while still not losing its specific and familial core. I am absolutely obsessed with the theatrical conceit of the audience being blindfolded and I was excited at what the aural landscape of the play would be as I read. Eager to follow the developmental trajectory of this and to experience a performance of it! ”