I'm not sure when I last read a play that felt as truly and deeply brave as "Settlements." This play is one the fiercest critiques I've ever read of how art is forced to bend to the politics of those who fund it. I was shocked and impressed with every page at how radical Rozin is willing to be in his exploration of how plays live and die in the American theatre when they are about things that some don't want to talk about. Reading this play for the first time felt like a revelation.
I'm not sure when I last read a play that felt as truly and deeply brave as "Settlements." This play is one the fiercest critiques I've ever read of how art is forced to bend to the politics of those who fund it. I was shocked and impressed with every page at how radical Rozin is willing to be in his exploration of how plays live and die in the American theatre when they are about things that some don't want to talk about. Reading this play for the first time felt like a revelation.