“ Complex relationships, vividly disturbing stories, and creepily convincing intimations of the supernatural come together in this expertly-written piece that keeps the audience guessing about what might really be going on. Gatton’s sharp ear for dialogue captures each character’s individual voice, and the well-observed domestic scenes feel personal and lived-in. But the play has larger resonances too: its scope expands almost imperceptibly as it examines and questions the bitter losses and hard-earned triumphs of the past several decades of American gay history. And it’s chock-full of fantastic audition monologues! ”

“ This play boldly tackles a very timely issue: the racial tensions and free-speech controversies currently rocking the academic community. Shineman doesn't condescend to any of the characters and gives all of the contentious parties space to express their points of view. Ms. Schultz's decision provides a ray of hope--right before the play hits us with an effectively ominous coda. This is a risky, provocative piece. ”

“ DeVita skewers the work environment of a busy New York ad agency with terrific accuracy and economy. The characters are appealing even (especially?) when behaving atrociously, and DeVita imbues the relationships with growing emotional resonance without ever getting manipulative or sentimental. Expertly done. ”

“ This powerful piece has more depth and emotional resonance than one would expect from a ten-minute play. The very economical dialogue crystallizes the characters and key moments in their history with pinpoint accuracy and honesty. I felt the pain and the anger, the guilt and the loss, the sense of those moments in a family's history where things are said that can't be unsaid. Memories are the ghosts that continue to haunt us. ”