Liz Duffy Adams

Liz Duffy Adams

Liz Duffy Adams’ play BORN WITH TEETH, recipient of a 2021 Edgerton Foundation New Play Award and Best Play/Production, 2022 Houston Press Awards, had its world premiere at the Alley Theater in 2022, a production that moved to the Guthrie Theatre in March 2023, and will move again to Asolo Repertory Theater, February 2024. Her OR, premiered Off Broadway at WP Theater and has been produced more than 80 times...
Liz Duffy Adams’ play BORN WITH TEETH, recipient of a 2021 Edgerton Foundation New Play Award and Best Play/Production, 2022 Houston Press Awards, had its world premiere at the Alley Theater in 2022, a production that moved to the Guthrie Theatre in March 2023, and will move again to Asolo Repertory Theater, February 2024. Her OR, premiered Off Broadway at WP Theater and has been produced more than 80 times since, including at the Magic Theater, Seattle Rep, and Roundhouse Theatre. She’s a New Dramatists alumna and has received a Lillian Hellman Award, New York Foundation for the Arts Fellowship, Massachusetts Cultural Council Fellowship, and the Will Glickman Award for Best New Play (Dog Act). Her Artistic Stamp virtual play in letters, WILD THYME, was nominated for a 2021 Drama League Award for Outstanding Interactive or Socially-Distanced Theater. Publications include OR, in Smith & Kraus’ “Best Plays Of 2010;” DOG ACT in “Geek Theater,” Underwords Press 2014; POODLE WITH GUITAR AND DARK GLASSES in Applause’s “Best American Short Plays 2000-2001;” and acting editions by TRW Plays, Playscripts, Inc. and Dramatists Play Service. Adams has an MFA from Yale School of Drama and a BFA from New York University’s Experimental Theater Wing. She has dual Irish and American citizenship, and lives in New York City on Lanape land, and in Western Massachusetts on unceded Pocumtuc and Nipmuc territory.

Plays

  • Born With Teeth
    An aging, unstable ruler, an oppressive police state, a restless polarized people seething with paranoia: it’s a dangerous time for poets. Two of them—the already great Kit Marlowe and the up-and-comer Will Shakespeare—meet in the back room of a pub to collaborate on a history play cycle, navigate the perils of art under a totalitarian regime, and flirt like young men with everything to lose. One of them may...
    An aging, unstable ruler, an oppressive police state, a restless polarized people seething with paranoia: it’s a dangerous time for poets. Two of them—the already great Kit Marlowe and the up-and-comer Will Shakespeare—meet in the back room of a pub to collaborate on a history play cycle, navigate the perils of art under a totalitarian regime, and flirt like young men with everything to lose. One of them may well be the death of the other.
  • The Broken Machine
    A burnt-out coder has become a hermit in the wilderness, nursing a broken arm and making lists from memory—of endangered species, moments of Lost Time, Incorrect States of Mind—in company with her only friend, a gray fox with a bad attitude. When wild fires approach they flee through the wilderness to the sea, pursued by feckless would-be rescuers and threatened by a punk psychopomp. A climate-chaos comi-tragedy.

  • Witch Hunt or, a Discourse on the Wonders of the Invisible World
    Ten years after Abigail Williams, instigator of the witch trials, disappeared from Salem, she turns up at the frontier tavern of fellow witch-hunter Mercy Lewis. About to leave the colonies forever, it’s her last chance to understand the madness that overtook them. But with war threatening northern New England yet again, Mercy and her fellow townspeople are in no mood for Abigail’s doubts, which suggest to them...
    Ten years after Abigail Williams, instigator of the witch trials, disappeared from Salem, she turns up at the frontier tavern of fellow witch-hunter Mercy Lewis. About to leave the colonies forever, it’s her last chance to understand the madness that overtook them. But with war threatening northern New England yet again, Mercy and her fellow townspeople are in no mood for Abigail’s doubts, which suggest to them complicity with the devil. And just when everything is at its most dangerously tense – the devil himself shows up.
    NOTE: The play has been revised since the first two productions.
  • The Salonnières
    In pre-Revolutionary Paris, Madeleine, a girl fresh from the convent, is promised in marriage to an older nobleman to pay off her father’s debts. She flees to the literary salon of her late mother’s friends, aristocratic women who conceal radical politics within reinvented folk tales. When her promised husband shows up too, the women must use their wits to save Madeleine. But in the end, the maid Françoise is...
    In pre-Revolutionary Paris, Madeleine, a girl fresh from the convent, is promised in marriage to an older nobleman to pay off her father’s debts. She flees to the literary salon of her late mother’s friends, aristocratic women who conceal radical politics within reinvented folk tales. When her promised husband shows up too, the women must use their wits to save Madeleine. But in the end, the maid Françoise is revealed as the real hero of a story they didn’t realize they were in.
  • Asterion
    Asterion, the half-bull Minotaur of Greek legend, is trapped in the labyrinth his sister Ariadne designed, alone except for the angry ghosts of the young sacrifices he has devoured. Now Ariadne and her borrowed hero, Theseus, are coming to kill him – unless he kills them instead. A play about the monster in us all.
  • Or,
    The neo-Restoration play Or, takes place (mostly) during one night in the life of Aphra Behn, poet, spy, and soon to be first professional female playwright. Sprung from debtors’ prison after a disastrous overseas mission, Aphra is desperate to get out of the spy trade. She has a shot at a production at one of only two London companies, if she can only finish her play by morning despite interruptions from...
    The neo-Restoration play Or, takes place (mostly) during one night in the life of Aphra Behn, poet, spy, and soon to be first professional female playwright. Sprung from debtors’ prison after a disastrous overseas mission, Aphra is desperate to get out of the spy trade. She has a shot at a production at one of only two London companies, if she can only finish her play by morning despite interruptions from sudden new love, actress Nell Gwynne; complicated royal love, King Charles II; and very dodgy ex-love, double-agent William Scott—who may be in on a plot to murder the king in the morning. Can Aphra save Charles’ life, win William a pardon, resist Nell’s charms, and launch her career, all in one night?

    For acting editions or production rights, contact Dramatists Play Service.
  • Dog Act
    Zetta Stone, a traveling performer, and her companion, Dog (a young man undergoing a voluntary species demotion), meet another couple of lost vaudevillians and join forces in their quest for an audience, stalked all the while through the post-apocalyptic wilderness by a pair of ferocious and hungry Lost Boys. A future-mythic comedy with music. For acting editions or production rights, contact Playscripts.com.
  • Dear Alien
    A shambolic, reclusive advice columnist known professionally as Dear Alien is under the gun. They have a deadline of yesterday for a collection of their columns; if they don’t turn it in they don’t get the advance, and they will be evicted from their apartment for non-payment of rent. On top of that, their editor is showing alarming signs of romantic interest, online trolls are threatening to doxx them, and the...
    A shambolic, reclusive advice columnist known professionally as Dear Alien is under the gun. They have a deadline of yesterday for a collection of their columns; if they don’t turn it in they don’t get the advance, and they will be evicted from their apartment for non-payment of rent. On top of that, their editor is showing alarming signs of romantic interest, online trolls are threatening to doxx them, and the agonizing predictability of readers’ questions is driving them mad. In an attempt to create a passable manuscript, Dear Alien chooses seven unread letters at random and answers them, in a countdown to transcendent meaning or absolute despair. But before they can read the seventh letter, there is a knocking at the door, and Dear Alien has only time for the most fleeting last answer to us, their hapless human audience.
  • Wet or, Isabella the Pirate Queen Enters the Horse Latitudes
    Four survivors of a storm-sunken pirate ship — the legendary Isabella, Neptune’s bastard daughter; pirates Jenny (a runaway whore) and Sally (an electrified girl); and the Viscountess Marlene, a drag queen — seize a half-wrecked ship manned only by Captain Joppa and two sailors, Jack the cabin boy and ex-slave Horatio. Joppa is determined to get back to the war. Isabella has other plans. Amidst time lurches,...
    Four survivors of a storm-sunken pirate ship — the legendary Isabella, Neptune’s bastard daughter; pirates Jenny (a runaway whore) and Sally (an electrified girl); and the Viscountess Marlene, a drag queen — seize a half-wrecked ship manned only by Captain Joppa and two sailors, Jack the cabin boy and ex-slave Horatio. Joppa is determined to get back to the war. Isabella has other plans. Amidst time lurches, shifting loyalties, story-telling and sudden violence, hearts lost and secrets revealed, the seven souls find themselves without wind or current on a slowly sinking ship—until an unexpected event offers either hope or doom.
  • Off the Clock
    In a ruined mill town, two estranged sisters and their estranged mother get unstuck in time, roaming through the history of their town while a radio DJ talks all night and an Artist of the Criminal Class wreaks havoc. A interstitial fantasia about the past, present, and future of work and what we’re working for.
  • One Big Lie
    In this musical epic spanning centuries — from the ancient world to our near future — LuLu the God of Lies is banished from the celestial realm and makes her way among humans to plot revolution against her fellow gods. Meanwhile a young woman sets out to rescue her sister from the lustful god who has abducted her. Composer: David Rhodes
  • The Listener
    Generations after most of humanity has discarded a ruined Earth for a shiny new moon colony, the Listener spends her life alone with a sacred radio, calling out to hoped-for fellow survivors and harboring a vision for the future of Earth. Her fellow Junk City citizens have their own roles to play in a fragile, cobbled-together new culture—a culture threatened by the arrival of John, an emissary from the moon,...
    Generations after most of humanity has discarded a ruined Earth for a shiny new moon colony, the Listener spends her life alone with a sacred radio, calling out to hoped-for fellow survivors and harboring a vision for the future of Earth. Her fellow Junk City citizens have their own roles to play in a fragile, cobbled-together new culture—a culture threatened by the arrival of John, an emissary from the moon, who talks of rescue but is regarded as an alien demon. The Listener risks everything to help him, but not for mercy. Will John learn to listen? Will Listener hear? Will Junk City survive?
  • The Listener of Junk City
    An alt-rock musical adaptation of THE LISTENER (also by Adams), with music by John Hodian. Generations after most of humanity has discarded a ruined Earth for a shiny new moon colony, the Listener spends her life alone with a sacred radio, calling out to hoped-for fellow survivors and harboring a vision for the future of Earth. Her fellow Junk City citizens have their own roles to play in a fragile, cobbled-...
    An alt-rock musical adaptation of THE LISTENER (also by Adams), with music by John Hodian. Generations after most of humanity has discarded a ruined Earth for a shiny new moon colony, the Listener spends her life alone with a sacred radio, calling out to hoped-for fellow survivors and harboring a vision for the future of Earth. Her fellow Junk City citizens have their own roles to play in a fragile, cobbled-together new culture—a culture threatened by the arrival of John, an emissary from the moon, who talks of rescue but is regarded as an alien demon. The Listener risks everything to help him, but not for mercy. Will John learn to listen? Will Listener hear? Will Junk City survive?
  • The Reckless Ruthless Brutal Charge Of It Or, The Train Play
    Late at night on a train hurtling towards infinity, eight strangers meet. A twelve-year-old with the powers of a comic book heroine manipulates time and the lives of a jaded Earth Goddess, an unraveling physicist, an Irishman fleeing predatory angels, a reluctant travel writer and three brothers from Ulyanovsk. While they ride, the destruction of the universe looms. A comi-threnody.

    Train is...
    Late at night on a train hurtling towards infinity, eight strangers meet. A twelve-year-old with the powers of a comic book heroine manipulates time and the lives of a jaded Earth Goddess, an unraveling physicist, an Irishman fleeing predatory angels, a reluctant travel writer and three brothers from Ulyanovsk. While they ride, the destruction of the universe looms. A comi-threnody.

    Train is available in a French translation by Adelaide Pralon, as Sa Charge Féroce Fatale Brutale, Ou Le Train. It had a staged reading in Paris at the Théatre des Bouffe du Nord in May 2014, as part of the Des Voix Festival.
  • Sa Charge Féroce Fatale Brutale, Ou Le Train
    French translation by Adelaide Pralon of Adams' "The Reckless Ruthless Brutal Charge Of It Or, The Train Play:"

    Late at night on a train hurtling towards infinity, eight strangers meet. A twelve-year-old with the powers of a comic book heroine manipulates time and the lives of a jaded Earth Goddess, an unraveling physicist, an Irishman fleeing predatory angels, a reluctant travel...
    French translation by Adelaide Pralon of Adams' "The Reckless Ruthless Brutal Charge Of It Or, The Train Play:"

    Late at night on a train hurtling towards infinity, eight strangers meet. A twelve-year-old with the powers of a comic book heroine manipulates time and the lives of a jaded Earth Goddess, an unraveling physicist, an Irishman fleeing predatory angels, a reluctant travel writer and three brothers from Ulyanovsk. While they ride, the destruction of the universe looms. A comi-threnody.
  • Buccaneers
    Young Enid Arabella longs for adventure and an escape from her family’s anxious descent into poverty. She gets her chance when she is captured by a wicked pirate king and his crew of kidnapped child pirates. With too much spirit to submit to tyranny, Enid Arabella must summon all her courage and wits to defeat the pirate king, free her fellow captives, save her parents, institute a new democracy, and sail on to...
    Young Enid Arabella longs for adventure and an escape from her family’s anxious descent into poverty. She gets her chance when she is captured by a wicked pirate king and his crew of kidnapped child pirates. With too much spirit to submit to tyranny, Enid Arabella must summon all her courage and wits to defeat the pirate king, free her fellow captives, save her parents, institute a new democracy, and sail on to fresh adventures! With a brilliant score by Ellen Maddow inspired by sea shanties and world music.
  • Poodle With Guitar and Dark Glasses
    Four late nights, five lost souls, one poodle gone Elvis. Above an after-hours club in an urban art slum, a painter loses control of her subject, a romance writer loses control of her heroine, an ESL teacher loses control of the to-be verb — and everybody learns the perils of living by formula. A rhapsodic comedy in one act.
  • Becalmed: a ten-minute play
    A brief sequel to The Tempest, in which Ariel and Caliban, unable to embrace their freedom, squabble over Prospero's broken staff and take turns lording it over the other – until Miranda comes back, exiled once more.
  • Hippolyta and Titania
    A ten-minute verse play after Shakespeare: The ex-Amazon warrior Hippolyta, awake in the night after her wedding to King Theseus, is visited by her old friend and lover, Titania, queen of the Faery realm. Zoom and audio friendly. Published in in “Red Bull Shorts Volume I,” Red Bull Theatre & Steele Spring Stage Rights 2016.
  • Quaked: a ten-minute play
    Written for the centennial of the 1906 San Francisco earthquake, QUAKED interweaves three women's experiences of that day: Cora fleeing with her sister in their best hats, Annie surviving as a small child and spending the decades afterward seeking that same thrill, Kate confessing her part in the Hayes Valley Fire. The play was commissioned for a Playground Center for New Plays benefit performance, and...
    Written for the centennial of the 1906 San Francisco earthquake, QUAKED interweaves three women's experiences of that day: Cora fleeing with her sister in their best hats, Annie surviving as a small child and spending the decades afterward seeking that same thrill, Kate confessing her part in the Hayes Valley Fire. The play was commissioned for a Playground Center for New Plays benefit performance, and directed by Mark Routhier. Would readily work as audio or zoom play.
  • The Last Woman on Earth
    In this ten minute countdown to the end of the world, the oldest living Earthling is resisting mandatory evacuation. A science fiction elegy for everyone who'd rather go down with the ship.
  • Ghosts of Las Vegas
    A 1960s showgirl who was poisoned by government A-bomb testing in Nevada greets a young man who ended things after losing in Las Vegas, and shows him the ghostly ropes, in the company of slot-machine ghosts and the ghost of Elvis, in a short, bittersweet American fantasia. Written for the 2006 Humana Festival anthology play Neon Mirage and published by Playscripts Inc. in Humana Festival 2006: The Complete Plays.
  • Some Such Luck
    A casino worker and a casino loser wake up together in Las Vegas and maybe change each other's lives, in this ten minute romance about rolling the dice.
    Some Such Luck was written for the 2006 Humana Festival anthology play Neon Mirage and is published by Playscripts Inc. in Humana Festival 2006: The Complete Plays.
  • Talkback
    A satirical essay in the form of a short play about developmental talkbacks, featuring an unproduceably large cast, a twist or two, and verbatim dialogue from actual talkbacks about various plays.