“ One actor. One set. One story you’ll never forget… THE CROSSWORD PLAY (OR EZMERANDA’S GIFT) is a master lesson in economical storytelling. But don’t let its simplicity fool you. This elegant, smart, layered, play is as carefully constructed as the crossword puzzle it features, and as dramatic as the love story it tells. Sure to be an audience favorite - produce this play! ”

“ JANINE: A MONOLOGUE WITH FANNY-PACK is at once adorable and heart-breaking. I have no idea how Wyndham manages to channel these young heroines with so much authenticity. But this portrait of a teen standing up to bullies shows us a true form of bravery - the courage to reveal your heart, even when it’s broken, something us adults could learn a lot from!! ”

“ Like much of Walker’s work, THE SISTER HOUSE finds the personal in the cultural so that any statement about who we are is intrinsically melded into the stakes of the story rather than it be a didactic message. Thus the three female characters in SISTER HOUSE illuminate how grief and loss can distort into self-harming if not allowed true expression, and how these wounds keep us from connecting with each other... until they don’t. However this play is not about that dysfunction; it's about love with laughs along the way. Oh, and… Mother-Daughter. Yes please. On stage NOW!! ”

“ POSSESSION offers deep insights into the nature of “white woman” privilege, simultaneously capturing its blindness while illuminating its roots, without excusing it. Creating an entire world to hide from her trauma, the play’s protagonist, Ava clings to her creation, oblivious to the forces she nurtures. Her willful ignorance is the play’s point. And its hypnotic spell draws us in as its characters’ more venal motives clash. In the end, POSSESSION speaks to the cycle of oppression as well as the poison that is cherishing “our history” at the expense of its victims. This powerhouse play must be produced!! ”