Recommended by Kate Brennan

A well-crafted four hander navigating the landmines of mental illness and friendship - the pacts we make before the world ruins us, the mistakes that follow when the world does, and the promise of healing once we build our own worlds. Dynamic time-lapsing story, based on true accounts.

A thoroughly disturbing Brechtian tale for our times, splattered with politics, religion and ads for Diet Coke. Written ahead of its time, THE EXIT INTERVIEW is reminiscent of Ping Chong's TRUTH & BEAUTY in rock and roll anarchy, while formatted expertly with Verfremdungseffekt. With cheerleaders. Brecht would be proud of this challenging and topical piece.

NOT MEDEA is Medea unlike we've ever seen. Completely meta and freshly harrowing, Gregory has re-birthed the tale for a new generation. Incredibly intelligent and fluid, complex and surprising, and wholly marked by Medea's dark magic.

Plastic Nest is a beautifully crafted four-hander about the places we try to call home. With talking birds, fertility calendars and packing peanuts, it's both poignant and quirky. A unique lesson in the true cost of building a nest and the exacting price we demand from those who live in it with us.

Lipstick is the modern queer farce we've all been waiting for. Dynamic roles, laugh-out-loud hilarity, and smart self-aware savvy. And brimming with heart. I cannot wait to see this show fully produced in all its door-slamming glory.