Recommended by Charles Scott Jones

  • CREATOR'S DILEMMA
    13 Feb. 2024
    CREATOR'S DILEMMA by Adam Richter is a clever and updated feminist take on the Pygmalion - Galatea myth. Rather than sculptor, Doctor Jay is a mad scientist of Dr. Frankenstein's ilk, but with romantic designs on his creation Senara. (She can help him host parties and go on walks with him.) But he has competition from Gretl, one of the villagers who knew Senara as unrequited love Belinda. The infusion of song lyrics from the Brandi Carlile album "The Story" is inspired - especially the line "I was made for you." Read this play for the way it unwinds.
  • DON'T PLAY WITH YOUR FOOD, a 10-minute comedy for five actors
    13 Feb. 2024
    The battle to resist unhealthy food rages on inside so many of us. Arianna Rose in DON’T PLAY WITH YOUR FOOD makes poor eating a poignant and hilarious food fight. Personifying cravings that hearken back to our childhoods. Can Mighty Casey stand up to the edible charisma of her house guests - Cookie, Ice Cream, and Chip? Is Super Kale a realistic answer or a fantasy of cruciferous satisfaction? It’s the time of year when resolve is beginning to wane and the battle rages on. Fine work from a gifted playwright.
  • RESPECT THE NOSE -a monologue
    10 Feb. 2024
    So glad to have read RESPECT THE NOSE by Monica Cross for its wonderful articulation of what goes into clowning. Any artist who helps us understand what we once knew of the world as children and have since forgotten should be celebrated and - if you haven’t already - this monologue is a fine play to start!
  • The Graveyard Shift Bites
    10 Feb. 2024
    “Why is everybody so bitey tonight?” asks Candace in THE GRAVEYARD SHIFT by John Busser. This late night at the fast-food joint is a riot of hilarious zombie references. I admire manager Slotnick’s futile attempt to maintain some kind of order as all hell breaks loose and his existence gets swallowed up by the kind of horror movie tropes we all know and love. Hilarious work, as always from Busser - who closes the Meat Shack with the best line - explaining once and for all why zombies don’t talk.
  • IMPRESSIONS OF PARIS
    9 Feb. 2024
    Plays seldom do justice to the painterly life but IMPRESSIONS OF PARIS by Nora Louise Syran is an immersive wonder of art history, period song and dance, and lucid conversations between French Impressionists. I admire the positioning of the play’s very lovable and fabulous painter-hero Suzanne Valadon on the outskirts of relevance (beginning as a child drawing on the sidewalk) and her coming within the orbits of legends (Cassatt, Morisot, Manet, Monet, Renoir, Degas, Toulouse-Lautrec). And I'm in awe of NLS for everything that went into this sensually majestic theatrical composition and would thrill to behold it staged.
  • 11:11
    8 Feb. 2024
    This is a fine time-travel one act - with a title that welcomes aboard the uninitiated into the numerological significance of 11:11. I think what I admire most about James Perry’s play is how the complex temporal jitterbugging somehow magically fits perfectly the angst and humor and terror of our times as Sean and Will experience it in jolts. The use of the Marvel movies and the high-carb travel machine are inspired, reminding me of the work of Philip K Dick. And you do feel for Sean and Will, so helplessly captive within their own inventiveness. Inspired work!
  • LONG STORY SHORT - A ONE-MINUTE PLAY
    8 Feb. 2024
    This is funny!! It's even funnier if you've plowed through Melville's tome waiting and waiting and waiting for the action but taking kind of a perverse pleasure in the endless whaling rants. I was laughing the whole minute of Adam Richter's LONG STORY SHORT.
  • The Haunting of Bellflower Manor (ten-minute play)
    8 Feb. 2024
    I just love the casual charm of THE HAUNTING OF BELLFLOWER MANOR by Enid Cokinos - that rare ghost story that isn't out for screams of terror or laughter. This HAUNTING is refreshingly anti-climatic. A ghost can seek the simple pleasures that a life cut-short once held. A spirit maid named Mertle interfacing with a robot vacuum and a Ouija rug is an amazing melding of the old and new in this fine ghost story.
  • Heartburn
    7 Feb. 2024
    What a magnificently prolonged scare. This slowly escalating and menacing doctor’s visit. (Un)Comfortably Numb to pun on Pink Floyd’s great doctor-visit song. HEARTBURN by Daniel Prillaman hammers away at the limitations of science - particularly the medical profession - for not wanting to handle anything that doesn’t come within tight preset parameters. My favorite aspect is Patient’s freaking-out while trying to keep it within the confines of patient-nurse-doctor etiquette. Wonderful insightful writing as always from a terrific playwright.
  • The Frogs' Revenge
    7 Feb. 2024
    For a short play that uses sound - the cacophonous symphony of frogs in a pond near a French Restaurant - to create unease - THE FROG’S REVENGE by Nora Louise Syran is hard to beat. For its brutal and sensual efficacy and deep resonances, it reminds me of Artaud’s Theater of Cruelty. I will now have even a harder time someday trying leg of frog. Terrific work!

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