“ An honest and gentle exploration of the process of saying goodbye. Honey Girls is as sweet as its title, and offers a notably well-rounded ensemble cast. This script will make you want to call your mother, and then eat cookies with an old friend. ”

“ There’s an inherent nostalgia to watching teens mix tequila shots with gin. These young fools… simultaneously worried about the industrial prison complex and the likeliness of a kiss. The playwright does a terrific job laying out clear stakes for each party goer, as well as the pecking order. I also really enjoyed the surreal use of the Texas Hill Country - and nature, like the night sky, trees, and water - infiltrating the undefined space and serving as an anchor point to the various events in time and space. The fluidity of the space serves Sam’s fluidity brilliantly. ”

“ There's some great storytelling going on here! I loved the adult siblings' realistic relationship, and so many of the one-liners. We get to watch these adults navigate the new normal in the wake of their grief. The play is comfortable being exactly what it is, much like the titular restaurant. No bells or whistles: it's here on a mission to fill us all back up. ”

“ A tight comedy with three killer female roles! My favorite line was, "Mountains are always mountains, but good luck navigating one range with the map of another." I really appreciated the intelligence and zestfulness of this piece. It's quite a thought experiment, simple enough once presented, but so achingly human in its execution. Kitt's profession is one that I have not seen onstage - except as a male, creepy, horror-centric subplot - and it was fascinating to watch her navigate the ethics of it. ”