Recommended by Steven G. Martin

  • Steven G. Martin: The Girl in the Wall

    "The Girl in the Wall" is a very dark, very comic retelling of a selfish character's most "Oh, shit!" moment in life, complete with fiendish flourishes. Don't look for empathy, regret, or redemption in Kelly McBurnette-Andronicos's gothic monologue; just be entertained in a tale well told.

    "The Girl in the Wall" is a very dark, very comic retelling of a selfish character's most "Oh, shit!" moment in life, complete with fiendish flourishes. Don't look for empathy, regret, or redemption in Kelly McBurnette-Andronicos's gothic monologue; just be entertained in a tale well told.

  • Steven G. Martin: Perfect Attendance (a monologue)

    This is a terrific monologue. Porter reveals so much about Tiffany by what she doesn't say and when she stops communicating.

    This is a terrific monologue. Porter reveals so much about Tiffany by what she doesn't say and when she stops communicating.

  • Steven G. Martin: The Dinosaurs Have a Request

    The dinosaurs (via McGough) are right: The modern natural world is magnificent and inspirational. Ultimately, this is an uplifting play.

    The dinosaurs (via McGough) are right: The modern natural world is magnificent and inspirational. Ultimately, this is an uplifting play.

  • Steven G. Martin: Arsinoë’s Fate - a monologue

    Arsinoë is the definition of defiance, even at the last. Stubbles has written a spine-stiffening portrait of the 18-year-old ruler.

    Arsinoë is the definition of defiance, even at the last. Stubbles has written a spine-stiffening portrait of the 18-year-old ruler.

  • Steven G. Martin: A Historic Wedding

    Tasteless, tacky and shudder-inducing. Otterman's short comedy about relationships & the slippery slope of science is brilliant. Burn it all to the ground, indeed!

    Tasteless, tacky and shudder-inducing. Otterman's short comedy about relationships & the slippery slope of science is brilliant. Burn it all to the ground, indeed!

  • Steven G. Martin: Damn You Look Good

    Lucy Wang's comic monologue lets an audience in on The Secret: growing older has its perks. This play is pure fun.

    Lucy Wang's comic monologue lets an audience in on The Secret: growing older has its perks. This play is pure fun.

  • Steven G. Martin: Of Course I'm Right

    Richter's sly, satirical monologue sets up the audience beautifully. It's all about civility and modern communication, modern communication and civility ... and then, WHAM, a reminder of just how shallow/pointless/ridiculous the world can be. This is a gift for a comic actor and a guaranteed crowd pleaser.

    Richter's sly, satirical monologue sets up the audience beautifully. It's all about civility and modern communication, modern communication and civility ... and then, WHAM, a reminder of just how shallow/pointless/ridiculous the world can be. This is a gift for a comic actor and a guaranteed crowd pleaser.

  • Steven G. Martin: Don't Mind Me

    Richter's short play is an empathetic portrait of those who want social connections, but are unable to cultivate them. This is an entirely recognizable -- and for more than a few people, relatable -- character and situation. A "sigh" of a play.

    Richter's short play is an empathetic portrait of those who want social connections, but are unable to cultivate them. This is an entirely recognizable -- and for more than a few people, relatable -- character and situation. A "sigh" of a play.

  • Steven G. Martin: The Volcano Play

    The world's going to hell? In Otterman's short dark comedy, it inspires complacency, selfishness, and nonchalance. "The Volcano Play" is a quick, damning look at American priorities.

    The world's going to hell? In Otterman's short dark comedy, it inspires complacency, selfishness, and nonchalance. "The Volcano Play" is a quick, damning look at American priorities.

  • Steven G. Martin: TOUCH THE MOON One Act Play, 3 Characters

    Rose uses highly theatrical methods to bring this nightmare scenario to the stage. This is a character-driven, very tension-filled one-act.

    Rose uses highly theatrical methods to bring this nightmare scenario to the stage. This is a character-driven, very tension-filled one-act.