Recommended by Philip Middleton Williams

  • Philip Middleton Williams: Bogie - a monologue

    This was really hard for me to read because it was so true to how I felt when I lost Sam. But I'm glad I did because Peter Anthony Fields conveyed all the love, affection, joy, and attachment that comes with having a friend like Bogie. Grief is hard to share, but this monologue does it so well. Thank you.

    This was really hard for me to read because it was so true to how I felt when I lost Sam. But I'm glad I did because Peter Anthony Fields conveyed all the love, affection, joy, and attachment that comes with having a friend like Bogie. Grief is hard to share, but this monologue does it so well. Thank you.

  • Philip Middleton Williams: murmurs

    The charming awkwardness that is inherent in teenagers trying to express themselves while in the throes of the excruciating attempt to be cool is what makes this coming-of-age story so catch-in-the-throat real. Scott Sickles gives us these two searching souls without any of the tropes that plague so many others, and the connections, be it a classic horror film, a folk trio, or baseball, the great metaphor for life, are tenuous at first. But you read this and hope that this first moment will be something these young men will remember as long as they're together. I certainly will.

    The charming awkwardness that is inherent in teenagers trying to express themselves while in the throes of the excruciating attempt to be cool is what makes this coming-of-age story so catch-in-the-throat real. Scott Sickles gives us these two searching souls without any of the tropes that plague so many others, and the connections, be it a classic horror film, a folk trio, or baseball, the great metaphor for life, are tenuous at first. But you read this and hope that this first moment will be something these young men will remember as long as they're together. I certainly will.

  • Philip Middleton Williams: Wrong Turn - A Monologue

    As he has with the other monologues in this collection, Robert Weibezahl pulls no punches and lands them right on target: at the well-wishers who casually toss off platitudes as if they were meaningful and well-intentioned yet meaningless and inane. In this case, Andi looks at her life -- such as it is -- and challenges the status quo for being just that: the status quo, realizing that time passages and loss are devastating not by their crushing burden but more often in the little ways we hardly notice... until we do.

    As he has with the other monologues in this collection, Robert Weibezahl pulls no punches and lands them right on target: at the well-wishers who casually toss off platitudes as if they were meaningful and well-intentioned yet meaningless and inane. In this case, Andi looks at her life -- such as it is -- and challenges the status quo for being just that: the status quo, realizing that time passages and loss are devastating not by their crushing burden but more often in the little ways we hardly notice... until we do.

  • Philip Middleton Williams: Coming Out to Uncle Jake

    A familiar scenario turned a bit sideways by building on our expectations and flipping the script to another page. Clever and timely.

    A familiar scenario turned a bit sideways by building on our expectations and flipping the script to another page. Clever and timely.

  • Philip Middleton Williams: The Ithaca Ladies Read Medea

    History is sometimes best seen through a microscope: examining not just the events but how they touch the lives of people who have no role in them. This gathering of ladies at their monthly gathering to share literature is part comedy of manners and, in a gauzy black and white turn, a peek into the room where politics and innuendo becomes its own farce and drama. Arthur M Jolly's rapier-like wit and strong sense of characters is on full display, and while the events may be nearly seventy years past, they are prescient for all of us today.

    History is sometimes best seen through a microscope: examining not just the events but how they touch the lives of people who have no role in them. This gathering of ladies at their monthly gathering to share literature is part comedy of manners and, in a gauzy black and white turn, a peek into the room where politics and innuendo becomes its own farce and drama. Arthur M Jolly's rapier-like wit and strong sense of characters is on full display, and while the events may be nearly seventy years past, they are prescient for all of us today.

  • Philip Middleton Williams: A MOST BRIEF AND ECONOMICAL THEATRICAL TEXT OFFERING AN INTERPRETATION AND VISION OF A ONE MATTHEW WEAVER, PLAYWRIGHT, JOURNALIST, BUT MOST IMPORTANTLY, FRIEND AND WHAT HE MEANS TO SO MANY ON THE ANNIVERSARY OF HIS 40TH REVOLUTION ASTRIDE THE CELESTIAL B-

    The challenge is to write a recommendation that is longer than the title. Hmm. Nope. Can't do it. That's because my admiration for both the playwright and the object of the play knows no bounds, and 100 words cannot capture it. Also, it takes longer to write it than to actually perform it.

    That said, this is a true testament to both the art and friendship of Franky Gonzalez. And... happy birthday, Matthew. Again.

    The challenge is to write a recommendation that is longer than the title. Hmm. Nope. Can't do it. That's because my admiration for both the playwright and the object of the play knows no bounds, and 100 words cannot capture it. Also, it takes longer to write it than to actually perform it.

    That said, this is a true testament to both the art and friendship of Franky Gonzalez. And... happy birthday, Matthew. Again.

  • Philip Middleton Williams: Bird on a Tree Branch

    Impending danger forces us to face reality: it forces us to be honest with ourselves and those we care about. In this taut drama where three people are taking refuge from a horrific storm, the peril of physical harm brings suppressed echoes of the past and lays them starkly on the table for all to see and deal with honestly. Jan Probst's characters are intricately drawn and we see what really lies beneath, like when a storm peels off the roof of a house to show us the inside. And yet they hang on and survive.

    Impending danger forces us to face reality: it forces us to be honest with ourselves and those we care about. In this taut drama where three people are taking refuge from a horrific storm, the peril of physical harm brings suppressed echoes of the past and lays them starkly on the table for all to see and deal with honestly. Jan Probst's characters are intricately drawn and we see what really lies beneath, like when a storm peels off the roof of a house to show us the inside. And yet they hang on and survive.

  • Philip Middleton Williams: Out, Out Damned Bird!

    This one-minute observation of the human condition and the dynamics between people is achingly and maddeningly accurate. Having been in a similar situation (except with a bat), Nora Louise Syran knows what lurks in the id of the "helpful" person and shares it with all of us.

    This one-minute observation of the human condition and the dynamics between people is achingly and maddeningly accurate. Having been in a similar situation (except with a bat), Nora Louise Syran knows what lurks in the id of the "helpful" person and shares it with all of us.

  • Philip Middleton Williams: Friendly's Fire (or, Guy Friendly Meets the Saint of Thieves)

    The mind and what it goes through after trauma is a mystery trip, barely understood but still meaningful to the person dealing with its seemingly permanent companionship. In this inventive and stunningly well-crafted play, we hear, see, and feel what Guy Friendly carries with him when he's triggered by the recollections. His imagination is on frantic overdrive, yet it all leads him to seek the answers and the peace and friendship he needs and deserves. Aside from the masterful lesson in how to craft a mesmerizing story, John Patrick Bray gives us someone to deeply care about.

    The mind and what it goes through after trauma is a mystery trip, barely understood but still meaningful to the person dealing with its seemingly permanent companionship. In this inventive and stunningly well-crafted play, we hear, see, and feel what Guy Friendly carries with him when he's triggered by the recollections. His imagination is on frantic overdrive, yet it all leads him to seek the answers and the peace and friendship he needs and deserves. Aside from the masterful lesson in how to craft a mesmerizing story, John Patrick Bray gives us someone to deeply care about.

  • Philip Middleton Williams: GAYS

    This collection of short plays and monologues is as varied as the people Glenn Alterman shares with us: young and old; some seemingly content with their lives, and others still searching. There's a human touch to each of them, and there's the inescapable certainty that each of them is seeking that most basic need: to be connected with someone, even if it's only for a brief encounter or a long-awaited reunion. Most of all, they are not afraid to share their feelings and their vulnerabilities, which makes it possible for anyone meeting them to connect and understand. Highly recommended.

    This collection of short plays and monologues is as varied as the people Glenn Alterman shares with us: young and old; some seemingly content with their lives, and others still searching. There's a human touch to each of them, and there's the inescapable certainty that each of them is seeking that most basic need: to be connected with someone, even if it's only for a brief encounter or a long-awaited reunion. Most of all, they are not afraid to share their feelings and their vulnerabilities, which makes it possible for anyone meeting them to connect and understand. Highly recommended.