Recommended by Philip Middleton Williams

Like much of Matthew Weaver's work, there's true heart, love, and truly epic punny humor in this tale of dedication to a community and selfless giving of oneself (not to mention body parts). This will be fun to see on stage, rife with imaginative acting and choreography and delight for the audience.

And it answers the long-sought after question: "Oh, so THAT's where that expression comes from."

Yeah, this ain't no "Miracle on 34th Street" scene. Well, it could be if it's staged by the Grand Guignol troupe on their way to the Sweeney Todd reunion...

Note to self: don't ask Scott Sickles to lend a hand.

Ah, the course of true love never did run smooth... And Bradford tries to love not wisely... until the green-eyed monster is replaced by something blue...

It's always refreshing to find a writer who not only appreciates the classics but knows just how to use them to a fare-thee-well.

If this sort of stuff had been on TV when I was a kid, I would’ve watched. Charlie Stowe knows that kids are a lot smarter than the people who make kids TV. This is just plain funny and so very wrong in such a right way. Bravo!

Well, Jack, you got me, and well done, too. The set-up, the execution, and the pay-off all spot-on.

This may read like a one-minute play, but in those seconds the perception of time and its passage takes on a meaning that will stay with you long after the end of the play. Very poetic and meaningful.

After reading/seeing this, I predict that every writer is going to frantically check the titles they've chosen for their plays or novels. At least the honest ones will.

You've heard of the willing suspension of disbelief, right? Well, Scott Sickles takes the trope that makes every melodrama or James Bond movie thoroughly riddled with a monstrous plot hole that we all eat up like bad movie theatre popcorn... and does it to a turn.

C'mon, admit it.... you've been tempted to use this trope, right? Right? Ah ha, I knew it.

Yeah, you've seen it all before. And that's the beauty of it. All it takes is a little imagination, which Scott Sickles has plenty of and uses to great skewering effect.

There's a moment in this lively and fun short play that I thought I knew what was going to happen, so when it didn't and went in a completely different way, I was laughing out loud at the twist and turns. Oh, what a way to go!