Mona Z. Smith

Mona Z. Smith

Mona Z. Smith is a playwright, screenwriter, published nonfiction author, and a former newspaper reporter.

Smith's full-length plays have been produced in the US and Europe. Her newest work is SIGHTINGS, a suspenseful coming-of-age play set against a backdrop of social change and unexplained phenomena in the Hudson Valley in the 1980s. SIGHTINGS will have its first reading for an invited...
Mona Z. Smith is a playwright, screenwriter, published nonfiction author, and a former newspaper reporter.

Smith's full-length plays have been produced in the US and Europe. Her newest work is SIGHTINGS, a suspenseful coming-of-age play set against a backdrop of social change and unexplained phenomena in the Hudson Valley in the 1980s. SIGHTINGS will have its first reading for an invited audience in October 2022 at the Paramount Theater, where Smith is an artist-in-residence. It was commissioned by Paramount Hudson Valley Arts and the Paramount Theater, with support from the NY State Council on the Arts.

Smith frequently co-creates work with the writer and director Traci Mariano. Their recent works include NORTHERN LIGHTS, a new urban holiday play about hot cocoa, magic, and family that was inspired by classic wintry fairy tales by Hans Christian Andersen, which had a limited run as a radio play with live sounds effects at the Paramount Theater in December 2021. Smith and Mariano also co created FIRE IN A DARK HOUSE, a family drama set against a backdrop of anti-immigrant fervor during WWI; it was read at the Paramount Theater in 2019 and had a workshop production at the Whitefire Theatre (L.A.) in 2018.

Smith's other plays include BORDERLANDS, a meditation on women, war, and genocide, which won the national Berilla Kerr prize and was produced in New York City, Los Angeles, and VA. The play was later revived by the Orange Tea Theatre (Amsterdam) to benefit women refugees from war-torn countries including Syria. Her play ALL THAT REMAINS was workshopped in Los Angeles and then staged in Honolulu, Hawai'i, where it won the Hawai'i State Theater Association award for Best Play. In THE NATIVE SON PROJECT, a theater company invites a VIP audience to the dress rehearsal of their revival of "Native Son" and the gala evening erupts in conflict. This meta-theatrical event was commissioned by, and workshopped at, the Paramount Theater (Peekskill) with NYC's Esperance Theatre Company (dir. Ryan Quinn).

CANADA LEE (a screenplay, co-written with Traci Mariano) and BECOMING SOMETHING (a stage play, by Smith) are both adapted from Smith's book "Becoming Something" (Faber & Faber, 2004), a critically acclaimed social biography of Canada Lee. A pioneering black actor and civil rights activist, Lee was branded a traitor and a Communist in the 1950s, blacklisted, and then virtually erased from U.S. history. Lee's untimely death in 1952 at age 45 is one of a handful directly attributed to the Red Scare.

Smith also writes plays and literary adaptations for young audiences. Between 2015 and 2018, Smith was commissioned by the Hudson Valley Shakespeare Festival (New York) to adapt Shakespeare plays and literary classics for young audiences. Her TYA plays commissioned by the Festival include COMEDY OF ERRORS, THE SWORD IN THE STONE, A MIDSUMMER NIGHT'S DREAM, and THE TEMPEST. All of these plays toured performing arts centers, schools, hospitals, libraries, and other community venues throughout the tristate area of NY-NJ-CT. The Festival also commissioned Smith to create NORTHERN LIGHTS (see above).

Plays

  • Sightings
    SIGHTINGS is about three teens swept up in a real-life mystery in New York's Hudson Valley during the 1980s.

    It's March 1983. On an eerily quiet night in a park along the Hudson River in New York, three high school seniors get the shock of their lives when they witness something in the night sky that they can't explain. Before their sighting, these teens inhabited very different...
    SIGHTINGS is about three teens swept up in a real-life mystery in New York's Hudson Valley during the 1980s.

    It's March 1983. On an eerily quiet night in a park along the Hudson River in New York, three high school seniors get the shock of their lives when they witness something in the night sky that they can't explain. Before their sighting, these teens inhabited very different worlds within their small river town. Now bound together by this unsettling mystery, the three must decide what to do, and who to tell. A secret pact, a painful struggle, and a shattering betrayal could jeopardize each teen’s hopes for the future.

    SIGHTINGS is a suspenseful coming-of-age play that explores friendship and belonging, seeing and being seen. It is set against a backdrop of dramatic social change and the famous wave of unexplained phenomena that swept through New York’s Hudson Valley in the early 1980s. Based on research into the UFO sightings and centering on teen characters including characters of color, SIGHTINGS was commissioned by Paramount Hudson Valley Arts with support from the NY State Council on the Arts.
  • Northern Lights
    It's Christmas Eve and Lena, 14, is trying to buy a gift for her new guardian, Aunt Carmen. But what is she supposed to get for a woman she barely knows, in a town she just moved to? As all of the stores begin to close, Lena sees one last shopwindow still glowing. When she steps through the door of Manny’s Book & Paper store, Lena takes us on magical journey of storytelling and self-discovery. NORTHERN...
    It's Christmas Eve and Lena, 14, is trying to buy a gift for her new guardian, Aunt Carmen. But what is she supposed to get for a woman she barely knows, in a town she just moved to? As all of the stores begin to close, Lena sees one last shopwindow still glowing. When she steps through the door of Manny’s Book & Paper store, Lena takes us on magical journey of storytelling and self-discovery. NORTHERN LIGHTS is a new winter holiday play celebrating the power of art, kindness, friendship, and imagination to warm the heart and light the way home.

    NORTHERN LIGHTS is Inspired by the wintry fairy tales created over a century ago by master storyteller Hans Christian Andersen ("Snow Queen," "Little Mermaid") and appeals to audiences of all ages. Created by Mona Z. Smith and Traci Mariano during the Covid-19 pandemic, this play does touch on loss and grief that have been experienced by children around the world, but our play ends in hope, strength, resilience, and grace.

    NORTHERN LIGHTS can also be performed LIVE as a contemporary radio play with sound effects created right on stage, in front of the audience. Contact the authors or agent Susan Schulman (T: 212-713-1633 / E: Susan@Schulmanagency.com) for a radio-play script with sound cues and tips for creating sound effects!
  • Fire In a Dark House
    FIRE IN A DARK HOUSE is a timely and poignant new drama about star-crossed young lovers whose families and community are thrown into turmoil as anti-immigrant fervor sweeps the nation during World War I.

    Rose, a passionate young woman and aspiring writer, falls for James, son of the conservative newspaper publisher and aspiring politician who is waging a fierce propaganda campaign against...
    FIRE IN A DARK HOUSE is a timely and poignant new drama about star-crossed young lovers whose families and community are thrown into turmoil as anti-immigrant fervor sweeps the nation during World War I.

    Rose, a passionate young woman and aspiring writer, falls for James, son of the conservative newspaper publisher and aspiring politician who is waging a fierce propaganda campaign against immigrants, including Rose's father, Carl. Drawing inspiration from true and tragic events, FIRE explores issues that resonate powerfully today: immigration, women's rights, propaganda, nationalism, and patriotism.

    FIRE IN A DARK HOUSE draws on historical research that has uncovered forgotten hate crimes committed against immigrants during World War I, fueled by inflammatory propaganda created in the White House and endorsed by Congress.
  • All That Remains
    In October 1969, a young Japanese American man travels to a forest in France to see where his father was killed in action under mysterious circumstances 25 earlier, during World War II. In this eerie forest, he encounters seven men who say they served with his father. When the traveler asks for the truth about his father’s death, time flows backward as the ghost-warriors tell a story of loyalty and betrayal,...
    In October 1969, a young Japanese American man travels to a forest in France to see where his father was killed in action under mysterious circumstances 25 earlier, during World War II. In this eerie forest, he encounters seven men who say they served with his father. When the traveler asks for the truth about his father’s death, time flows backward as the ghost-warriors tell a story of loyalty and betrayal, friendship and rivalry, courage and trauma, ghosts and demons, love and revenge.

    ALL THAT REMAINS is inspired by the ghost-warrior plays of Japan’s Noh theatre. Though it is a work of fiction, this play draws on the very real and harrowing experiences of troops in the 100th Battalion and 442nd Regimental Combat Team – celebrated but segregated units of Japanese Americans from Hawaii and the Mainland U.S. who fought with distinction in some of the bloodiest battles of WWII.
  • Borderlands
    In the not-too-distant future, two border guards in a barren wasteland pass a long night's watch by spinning a tale set in the “halcyon days” of their civil war. This story plays out before our eyes. Two young women -- bold Jelena and her shy admirer, Hika -- will soon be on opposite sides of a war fueled by religious and ethnic hatred. The two meet a pair of soldiers in a bar celebrating one last night of...
    In the not-too-distant future, two border guards in a barren wasteland pass a long night's watch by spinning a tale set in the “halcyon days” of their civil war. This story plays out before our eyes. Two young women -- bold Jelena and her shy admirer, Hika -- will soon be on opposite sides of a war fueled by religious and ethnic hatred. The two meet a pair of soldiers in a bar celebrating one last night of freedom before they deploy. This meeting ends unexpectedly in violence. The two women must separate and flee. Jelena assumes the identity of a male soldier to escape, and she ends up fighting for the brutal regime. Hika struggles to maintain her identity and sanity as a refugee and a prisoner. When the two women are reunited at last, the cost of their survival is devastatingly clear.

    The original version of this play about women, war, identity, and ethnic cleansing was written as a response to the Bosnian War, and was based on research and interviews.