Tony Meneses

When Marco meets Marco in 1997 Albuquerque, an unlikely friendship begins between two boys with the same name but vastly different personalities and outlooks on life. When they discover a mutual love of comic books, the local comic shop becomes a sanctuary for both teens as they’re introduced to an Aztec superhero who becomes their guide through a time long forgotten.

Guadalupe is living in the guest room of her son-in-law, Steve, while she works to translate from English to Spanish the children’s books her deceased daughter has written. Overcome with grief and separated by a language barrier, the unlikely housemates struggle to communicate. As they begin watching the same television show, the two bond in the most unexpected of ways, leading Guadalupe and Steve to learn that understanding doesn’t always require speaking the same language. "Guadalupe in the Guest Room" is a funny and heartfelt celebration of new beginnings, breaking barriers, and the healing power of telenovelas

A look at the intimacy of male relationships told through the point of view of Machismo culture, The Hombres follows Julián, a gay Latino yoga teacher, as he clashes with the Latino construction workers working outside his studio, particularly the older head of the crew, Héctor, who seeks from Julián something he never expected.

Andres Salazar is running for office. By this time, Latinx people have been assimilated into the (white) majority of the United States, but race issues are far from resolved. In this tricky political environment, Andres must decide whether identifying himself as a Mexican-American will help or hinder him on Election Day, and whether losing some of his own identity is worth the potential benefits. When a mysterious stranger appears at Andres's house, his family rallies around him to save his imperiled campaign.

Raul is sick. Raul has not been taking care of himself. Raul drinks because he always drinks. In his final months, he’s forced to move in with his ex-wife Alma who now has to care for the man she thought she’d never have to see again.

Cordelia’s stuck. Cordelia needs to design a maid’s costume, but she can’t stop thinking about The Help and Maid in Manhattan and Gone with the Wind and As Good As It Gets and… and… and… How can she find a way to show these women for who they really are?

Through the power of food, faith, laughter and each other, eight sisters-in-law find a way to carry on life at home while their husbands are away at war. Inspired by the heightened lyricism of the playwright and poet Federico García Lorca and classical Greek Tragedy, this new play shows us there is always a way—even through the hardest of times—to set our love free.

It’s 1968, and as a wave of student protest washes over Mexico City, a girl journeys into the ever-shifting capital to find a path to call her own. A beguiling, sweeping ode to a city flush with the promise of revolution, and to the times in life when everything seems possible.