kb saine

kb saine

kb saine is a freelance director, author, educator and theatre historian. professionally, kb served for six years as the producing artistic director of sycamore rouge in petersburg, va.; she has worked with greenbrier valley theatre in lewisburg, w.va., and the richmond triangle players, theatre iv/theatre gym, the barksdale theatre, firehouse theatre project, theatrevirginia, dogwood dell, yellow house...
kb saine is a freelance director, author, educator and theatre historian. professionally, kb served for six years as the producing artistic director of sycamore rouge in petersburg, va.; she has worked with greenbrier valley theatre in lewisburg, w.va., and the richmond triangle players, theatre iv/theatre gym, the barksdale theatre, firehouse theatre project, theatrevirginia, dogwood dell, yellow house productions, theatremachine and sparc in richmond, va.; and the dallas theatre center in dallas, texas.
her accomplishments as a dramatists guild-member playwright include adaptations of 'the velveteen rabbit,' (a play with music with original compositions by roddy barnes) 'rumpelstiltskin', and the original works 'appalachian blackface' and 'read·y for right.' saine's academic writing includes issues of race and the representation of marginalized groups, with a particular focus on black theatre history and 19th and early 20th century blackface minstrel performance. her professional service includes extensive work with the black theatre network (the national organization of black theatre professionals, academics and practitioners), where she is a past president for the national executive board.
she currently heads the contemporary theatre studies program at shepherd university within the department of contemporary art and theatre, in conjunction with the contemporary american theatre festival.
for more detail about kb's directing career, or for more information about her work as a playwright, dramaturg & producer of new works, please visit www.kbsaine.com.

Plays

  • The Velveteen Rabbit
    A toy bunny learns to understand what it means to be “real” in this adaptation of Margery Williams' timeless tale of the transformative power of love. After Stacey receives Bunny as a Christmas gift, Bunny is tossed into the nursery with all of the other toys, waiting for Stacey to choose them as a playmate. While there, the new Bunny befriends the old and weathered Skin Horse, who reveals the magic...
    A toy bunny learns to understand what it means to be “real” in this adaptation of Margery Williams' timeless tale of the transformative power of love. After Stacey receives Bunny as a Christmas gift, Bunny is tossed into the nursery with all of the other toys, waiting for Stacey to choose them as a playmate. While there, the new Bunny befriends the old and weathered Skin Horse, who reveals the magic possible for all nursery toys: to be made "real" through true love.
    Bunny and Stacey’s journey of friendship, revealed through original blues music by composer Roddy Barnes, is a heartwarming, sentimental story perfect for the holidays and for both adult and young audiences at any time of year.
  • Rumpelstiltskin
    A miller, wanting to make himself appear important, tells the king he has a daughter who can spin straw into gold. After the King locks her away to prove this talent or lose her life, the daughter accomplishes the impossible task with the help of Rumpelstiltskin, but she sacrifices much to do so. Themes of suffering the consequences of greed and dishonesty, and about being true to oneself are at the center of...
    A miller, wanting to make himself appear important, tells the king he has a daughter who can spin straw into gold. After the King locks her away to prove this talent or lose her life, the daughter accomplishes the impossible task with the help of Rumpelstiltskin, but she sacrifices much to do so. Themes of suffering the consequences of greed and dishonesty, and about being true to oneself are at the center of this adaptation from the Grimms' fairy tale.
  • C.O.R.I. meeting, 2nd floor
    in 2045, the Children of Rape and Interest Support Group meets under the guidance of Renee, a forcefully happy social worker. when Kathryn, the newest member, bursts into the group, the impact of their collective inherited trauma takes a heavy toll.

    C.O.R.I. is a the-minute play included in #AfterTheBans, a collaborative play imagining a future in which draconian abortion bans have already been...
    in 2045, the Children of Rape and Interest Support Group meets under the guidance of Renee, a forcefully happy social worker. when Kathryn, the newest member, bursts into the group, the impact of their collective inherited trauma takes a heavy toll.

    C.O.R.I. is a the-minute play included in #AfterTheBans, a collaborative play imagining a future in which draconian abortion bans have already been passed. Conceived & compiled by Alyson Mead, the complete collection is comprised of pieces by Rachel Bublitz, Victoria Z. Daly, Anita Doe, Carolyn Gage, Dany Liriano, Alyson Mead, kb saine, Maybe Stewart, and Amy Tofte.