Sam and Pig are avatars in the video game “Zombie Thoughts.” Sam’s character is intelligent, anxious, and armed with a book. Pig is goofy, distracted, and armed with a rubber chicken. Can Pig and the players in the audience help Sam overcome anxiety and defeat the monsters and trials the Machine throws in the way? A one act video game inspired TYA play about childhood anxiety where the audience determines the outcome. Written for grades 3-6 with help from someone in grade 3 (note: the 2 person version is uploaded here, 3+ available by request). This play can be easily adapted to work very well through Zoom!

Annie's life is crumbling underneath her. She's pretty sure her husband is an alcoholic and maybe even a little abusive. Looking for certainty in an uncertain time, she gets sucked further and further into a home organization show on Netflix, whose hosts, Sutton and Taylor, promise that rainbow organizing your belongings is the path to inner calm and acceptance. Then they ask for more and more. They might be a cult? Her only true friend is an inventory Bossa Nova robot in the home organization aisle of Walmart (he doesn't talk, or know she's there, but he's a good listener). Where is the line between finding purpose and meaning in life and being addicted to things? Or is it really that adulthood is just finding acceptable things to be addicted to?

(A Fantasia in 12 Scenes with Sock Puppets, Ukuleles, Wine, and an Accident)
This is the theatrical opportunity of the lifetime for playwright Allison, a mom from Utah. At least that’s what the people in New York keep telling her. But the director hasn’t read the play, the actors keep competing over who has been on Law and Order the most, and Allison is a ball of stress and insecurity. Thank goodness the singing brine shrimp are there to help her find her way. A fucked up love letter to life and art in a flyover state.

Edgar, a delivery man, misreads a package and attempts to deliver it to the wrong address. The place he ends up at is a weird store, filled with glowing glass jars and run by a woman named Truly. Truly captures Edgar's attention and he visits her once a week at the store, falling more and more in love with her. But what is in the glass jars and is Truly who she says she is? The play is told with a experimental structure that allows spaces for each company to create moments in the play through dance, puppetry, improv or other elements.

A verbatim monologue about the experience of discovering you are an undocumented citizen and how that impacts identity and perception.

Lucy’s family is not fond of her boyfriend. Because he is a statue in a park.

Delaney and Laila's friendship is ending, but they have radically different perspectives on why.