Brenda McFarlane

Brenda McFarlane

McFarlane grew up in Toronto and attended St. Lawrence University in upstate NY majoring in theater and writing. She attended the MFA program in directing at Tulane Graduate School in Theater. She spent two summers at Williamstown Theater Festival as a directing assistant. On returning to Toronto, she started her own theater company and produced, wrote and directed 7 plays including I LOVE YOU SO MUCH I WISH...
McFarlane grew up in Toronto and attended St. Lawrence University in upstate NY majoring in theater and writing. She attended the MFA program in directing at Tulane Graduate School in Theater. She spent two summers at Williamstown Theater Festival as a directing assistant. On returning to Toronto, she started her own theater company and produced, wrote and directed 7 plays including I LOVE YOU SO MUCH I WISH YOU WERE DEAD, THE EDUCATION OF JOHNNY, SHUT UP!, GOOD IN BED and others. She was described in Canada’s Globe and Mail as “...one of the brightest young writer/directors around these days” and has been the recipient of several national and provincial grants in Canada. She attended three programs in scriptwriting at the Canadian Film Center in Toronto and was a Banff Television Festival Fellow. She moved to Los Angeles and wrote spec scripts and entered contests, finalizing in several including the Chesterfield, the Nicholl and Sundance. She won the best teleplay at Austin Film Festival. She also wrote a script for the animated series BITCHY BITCH.
As a director, McFarlane specializes in working with new plays as a dramaturg & director including in Toronto on GROWL SWEETLY, THE VAMPIRE PLAY, and the collaborative work QUESTION I ASKED MY MOTHER based on work by Canadian rebel Mennonite poet, Di Brandt. McFarlane continued her work with playwrights in Los Angeles where she directed and was dramaturg on South African play THE PIG AND I by Evelyn Tollman which was described by the LA Weekly as a “sprightly fable of insecurity and acceptance [which] benefits greatly from director Brenda McFarlane’s blithe and trim staging…”
In San Diego she served as Artistic Director for the film, theater and dance festival, Resilience of the Human Spirit. She now lives in Silver City New Mexico where she runs a handmade body product and deodorant business that sells all over the world.
Brenda was brought up to become a writer. Her father is Brian McFarlane, a hockey commentator and historian who has written over 100 books, is in the Hockey Hall of Fame and worked on Hockey Night in Canada for 25 years. Her grandfather was Leslie McFarlane, ghostwriter of the first Hardy Boy books and a journalist, novelist, screenwriter and filmmaker. Her Aunt, Norah Perez, is a novelist.

Plays

  • I Should Go
    It's tough to go home after you've had a lovely date, especially when he doesn't want to let you go.
  • Object
    A woman brings her most precious belonging to get assessed
    by an expert.
  • Husband in a Coma
    The same night Janet tells Bill she is leaving him, he falls down the stairs and into a coma. He can hear and see everything but no one (except the audience) can hear him. As his narcissistic Mother and 40 year old pregnant sister with a martyr complex rush to his bedside, Janet tries to walk away.

    But breaking free is not that easy as Bill’s helplessness binds Janet to his side. The...
    The same night Janet tells Bill she is leaving him, he falls down the stairs and into a coma. He can hear and see everything but no one (except the audience) can hear him. As his narcissistic Mother and 40 year old pregnant sister with a martyr complex rush to his bedside, Janet tries to walk away.

    But breaking free is not that easy as Bill’s helplessness binds Janet to his side. The expectations and needs of others and her own sense of guilt are not the only impediments; she finds herself inexplicably tied to Bill by unwanted feelings of love, longing and hope for what could have been.

    Bill watches outside his body as the women in his life decide his future--and their own.

Recommended by Brenda McFarlane

  • The Homework Odyssey
    12 Jul. 2021
    I really like the use of the chorus in this short play. Definitely read if you're looking for a good part for a strong young male actor.
  • Bug
    12 Jul. 2021
    This is a fun play. Very achievable, lots of parts since they can all be played by any gender. Nice message without feeling preachy. Good logical and catchy dialogue. Scenery and costumes can be as complex or simple as you want. I think everyone would like this play (except maybe goat eaters).
  • Both Sides, Now
    27 Mar. 2021
    Excellent story addressing codependency, attachment and love in a funny and fanciful way.
  • Civil Cafe
    6 Feb. 2021
    What a wonderful concept! Significant subject matter that needs a lot more stage time. Good fun dialogue. Good Characters. I'd love to see this play produced. I think Jones has created a world where so much could be discussed and explored. Funny, this is my second review of this writer and again, I want more! It makes a good short piece but could easily be a longer play too.
  • Tomorrow's Promise
    6 Feb. 2021
    Wonderful dialogue, easy to fall in love with Forrest. I really wanted this play to be longer, I wanted to spend even more time with the characters. It's a feel good holiday play that doesn't feel sappy. Read this play for a nice introduction to a talented writer.