It’s almost opening day and C is behind schedule. They are malfunctioning, forgetting lines, and losing their sight. As pressure builds in this hall of presidents-like exhibit from the totalitarian government that controls this propaganda-fueled theme park, C prepares for a new performance cycle. But for C, an antique in a modern world, what once was simple and routine has become difficult.

The newly appointed strict supervisor of the park demands progress and assigns a new mechanic to work with the performance robot. The mechanic struggles to keep the rehearsal on track while C’s outdated systems prove inadequate. As the mechanic explores C’s antiquated wiring, C reveals a patch of rogue programming that was installed by their previous mechanic that allows for far-advanced robotic emotion. With the threat of being replaced by a new model, C and the mechanic bond over their feelings, what it’s like (and means) to be alive, and how their world has changed outside the park; it’s become violent, unpredictable, and nothing like C’s programmed memories. C comes to terms with their termination and asks the mechanic to help them experience one last feeling: dying.

Tad cleans Howard’s apartment for money. And he does it in his underwear. It’s a business
arrangement. The two take turns pushing boundaries on their client/business relationship.
Conversations (that seem to always land within their age gape) allows the two to confess their fears of
growing old, dying, and the importance of being important.

Drew and Emily just got married and moved to the moon. They try to navigate their new home and each other. All the while their old lives loom in the distance.

Oedipus was cursed from the moment of his birth. Every choice, no matter how logical or passionate, led him closer and closer to fulfilling his prophecy. In this adaptation, we examine the choices and motives of Oedipus and his loves ones. No matter your curse, it's tough sometimes being trying to be a good person.

(There is a lot of room to double and really make this piece your own. It requires at least six actors, but can be done with a larger cast. It just depends on doubling.)