I had the great pleasure of directing the US premier of this terrific play in 2001. after seeing the outstanding original production in Toronto. From the moment the play starts, mid-argument between the iconic Orson Welles, Marc Blitzstein and John Housemen, you're on an extraordinary, true-life ride that is as deeply human as it is incisively political. It's a play about labor unions, love, and the unbelievable things we go through for the labor of all loves: live theatre. It was a huge hit for InterAct Theatre Company and I imagine it would do gangbusters for virtually any American...
I had the great pleasure of directing the US premier of this terrific play in 2001. after seeing the outstanding original production in Toronto. From the moment the play starts, mid-argument between the iconic Orson Welles, Marc Blitzstein and John Housemen, you're on an extraordinary, true-life ride that is as deeply human as it is incisively political. It's a play about labor unions, love, and the unbelievable things we go through for the labor of all loves: live theatre. It was a huge hit for InterAct Theatre Company and I imagine it would do gangbusters for virtually any American theatre.