C.M. Brophy

C.M. Brophy

C.M. Brophy has written, directed, and acted in plays and films in New York, San Francisco, Los Angeles Canada, Virginia, and Washington D.C. Founding member and artistic director of Dude Theater Frisco, Bindlestiff theater of 6th st. and Splanchnic Theatricals international, as well as many other Stage & Screen Union and pirate theater houses and film production projects, as collaborator, hired gun and...
C.M. Brophy has written, directed, and acted in plays and films in New York, San Francisco, Los Angeles Canada, Virginia, and Washington D.C. Founding member and artistic director of Dude Theater Frisco, Bindlestiff theater of 6th st. and Splanchnic Theatricals international, as well as many other Stage & Screen Union and pirate theater houses and film production projects, as collaborator, hired gun and featured solo artist. He was impresario at Random Ax guerrilla arts, songwriter and bass player in the Scropes-(Punkrock). He is currently the proprietor of Way Back Theater in Maryland and is a founding member of the Consortium Performance Groups alliance with Dude Theatre and Mile High Theater. He built, operated and sold a little pizza parlor outside Washington D.C. As a side hustle, he still takes works as a plumber these days but has been a cabbie, short-order cook, tradesman, clerk, miner, lookout, mover, driver and decoy. He’s done some modeling. C.M. Brophy writes every day, and self-publishes short stories, novels, plays, one-acts, essays, and poison-pen letters.

Plays

  • The Orangutan Eight
    When an Orangutan is elected president of the United States a group of aging destitute liberal San Franciscans go ape-shit radical extremist.

    8 actors, 1 setting, Full-length drama.
  • Santa Ponchita City
    Born in 1960 and raised in Santa Ponchita City, the lives of 8 adolescent schoolmates exemplify an epoch on The American West Coast. War, Drugs, Money, Sex, Music, Family, Ambition, Love, and a sense of Place: The old hometown, where the sun sets over the sea, and everything used to be better. Only half make it to bitter old age with the help of ghosts and dreams of another time.
  • All Hail Satan!
    Short synopsis: What if you really didn’t care what society thought of you, and recognized that because you actually can do whatever you want, you must do whatever you want, and you are compelled to do all of it now? A seaside resort in decline draws a folie à famille committed fundamentalist collective of practicing Satanists. Power, class, and self-determination souped together abstractly asks the question: “...
    Short synopsis: What if you really didn’t care what society thought of you, and recognized that because you actually can do whatever you want, you must do whatever you want, and you are compelled to do all of it now? A seaside resort in decline draws a folie à famille committed fundamentalist collective of practicing Satanists. Power, class, and self-determination souped together abstractly asks the question: “Is amoral behavior really such a bad thing?”

  • Beginning to End,
    Significant others need to work it out their whole damned lives. A triptych of couples in representative scenes from a relationship as young, middle-aged, and elderly lovers. In each scene the man is small and the woman is large. Played by two, four, or six actors.
  • These Three Kings
    - or The Mythical Masculinity of Reader, Cheater, and Spec: 4 suites depict 3 men reeling through a single fate locked existence of bungled capers, lost friendships, money troubles, and Gina, the woman who circumnavigated their reason. The three wise men sail a sinking boat into their sunset on the sea of Araby.

  • Dumb Fucked & Blind
    In this octagon of death, an unhappy pair of middle-aged couples come together to tear themselves apart in and around the nuptials of their children. Friends and siblings succumb to the collateral damage that is the modern American family of privilege. Subtitle: White People Problems... nontraditional, race-neutral, gender ambiguous, or nonwhite casting encouraged
  • DECOYS' DOUBLE
    A love triangle caper for dog lovers at the Jersey shore about compulsive gamblers, the future, right now this very instant, and the past.
  • Fanny & Jacky, Poughkeepsie
    This is the nonexistent penultimate scene from Eugene O'Neill's LONG DAY’S JOURNEY INTO NIGHT, one of my favorite plays. Some details have been transformed, O’Neill’s character, Jamie is Jacky in this piece, and I’ve moved the whorehouse from Connecticut to Poughkeepsie for example, but I am compelled to use that towns name because I like to hear it spoken aloud. Poughkeepsie, say it... See?
  • 600 seconds
    A new manager's first day at another dead end job situated in the land of promise and potential.
  • In the Shadow of the BQE
    After the birth of their first child, a frivolous couple must make serious choices in serious times.
  • Reunion at the Restaurant
    A couple reunites after many years for an evening of settling infidelity scores and appeasing the terror of aging into decrepitude and inconsequentiality.
  • Kurwa the Clown
    A fallen angel laments a life lost to family obligations, alcohol, and the misuse of the flesh of beasts.
  • Dead and gone to heaven
    a love triangle unravels in a dreamy hereafter lyric soundscape, nonlinear, musical, netherworld.
    An ensemble creative schematic for an experimental collective to make their own.
  • Waiting for Turley in Nome
    I journeyed to Nome, Alaska, with a childhood school chum I hadn't seen in years, and became an under-water-amphibian gold miner. In the everpresent summer daylight, amongst reality television idiots, I experienced mild occasional hunger and extreme boredom. The pointlessness of the endeavor became immediately apparent. 88 days later I returned to my family. This play was my reality for a spell.
  • City of Angles
    A 10-minute one-act play, the story of an aborted shakedown attempt in a silent motion picture office, Hollywoodland, 1920. A large woman and a small man play 8 character's interior and exterior lives.
  • The Duke's Demise
    The second crusades are in their 14Th year. With the King away the Duke doth play as his corpulent French Duchess plays him like a fiddle. A raunchatella opera sans musique- 10 minutes running time, simple sets and costumes, adult themes, comedy. Hitherto unproduced.
  • The Pennsyltucky Plan
    Accidental treasonist teenagers, a ruined motorcycle flat track on a rural Onion farm, a riot, a road trip and an escape plan. Left forsaken the older generation squanders the inheritance. Racist bachelor farmers take the blame and get exactly what they paid for. The wrecker's in the ditch up to its hubs in the January mud.