Jerome is an weathered, middle-aged, literary has-been. As a result of mismanaging prolific gifts and excessive tendencies, he hovers in a moral and artistic limbo where his sole inspiration is tennis legend Roger Federer.

When Jerome is invited to headline a tour marking the twentieth anniversary of his legendary bestseller’s release, he embarks on a journey of self-discovery and self-forgiveness. And as he relives his most celebrated and reviled moments, Jerome rewrites their context and legacy.

In the end, Jerome must decide whether it’s better to be a hero in someone else’s story, or a victim in your own.

When Gabriela dies suddenly, her grown children Rita, Lucía, and Georgy battle for ownership of her final pot of frijoles. As the siblings quarrel, a series of frijol-guides manifests from the humble Country Crock container, provoking them to re-examine their identity, privilege and Latinidad. In the end, Rita, Lucía, and Georgy discover the richness of familia where they least expect it.

In a remote Southwestern desert town, tough-hearted Esther scrapes by as proprietor of the family motel alongside her idealistic niece, Octavia. In addition to the crumbling motel, their property is home to a sacred and magical tree, Arbolito, that thrives in an environment it should not endure.

When Arbolito begins to wither, its roots expose long-buried secrets. And as their beliefs and shared truths unravel, Esther and Octavia must choose between saving a vanishing past or embracing an uncertain future.

Twenty-something Emi just wants to be a writer – a writer who tells truths,
shatters myths, and rips the lid off her immigrant family’s generations-old
secrets. Stifled by an overprotective mom, Clara, and an underproductive
brother, Gus, Emi dreams of escaping the confines of the family’s crowded
Logan Square brownstone.

A daring relationship with an exotically-stable intellectual, Webster, who
steps gracefully off the nearby El Train and into her life, ignites Emi’s artistic
passion. She revels in the success of a revealing but unflattering short story
based on her family, even at the cost of her most treasured relationships.
Meanwhile, Gus confronts his own demons with the aid of a metaphysical cow
head, and Clara reluctantly searches for fulfillment in her adopted homeland.

When Emi’s novel is rejected by a major publisher, she is forced to question
her artistic honesty, and examine the role of story in her life. Together with
her Mexican/Mexican-American family, Emi searches for meaning in their
collective experience, and faces generations-old regret for events that shaped
their lives. As they unravel and “re-ravel” past events and the storytelling
process itself, we discover yet another perspective of their shared story,
delivered

It’s 1988. And high school sophomores Carlos and Becca just want to
fit in. Carlos has a secret power – the ability to create truly
awesome mixtapes. Unfortunately, he has few friends with whom to
share this skill.

It’s 2019. One of Carlos’s awesome mixtapes has found its way into
the hands of upwardly mobile “boo’s” Xavi and Jenny, exposing the
pair’s unspoken conflicts while resurrecting Carlos and Becca’s
vintage angst.

The Last Mixtape follows a group of friends and a pair of lovers
as they dare to want more and feel deeper.

Confessions of a Mexpatriate is an original one-man performance depicting the misadventures of a media-saturated American man, Samuel, who embarks on a journey across Mexico in search of his life’s meaning. Part memory, part fantasy, Mexpatriate chronicles Samuel’s discovery of Mexico’s cultural beauty and his own identity as a Mexican-American.

Above all, Confessions of a Mexpatriate is a celebration of self-acceptance, wrapped in the vibrant context of the Mexican-American experience. Through laughter, tears, and the occasional bolero, Mexpatriate reveals the power of human compassion, and invites audiences to “just be” – a message that at once embraces and transcends Latinidad.