Recommended by Doug DeVita

  • The Last of the Amazons (full-length)
    28 Feb. 2021
    Epic. Epic in its scope and its emotional heft… and yet remarkably focused and intimate in its wealth of feeling. Paco José Madden packs a lot of punch into this lean, swiftly moving 55 pager; its impact is as far-reaching as something twice as long. I’d love to see this staged, as the possibilities for inventive staging and performances are massive, and potentially quite thrilling.
  • The End Is Just The Beginning
    28 Feb. 2021
    Well this is just wonderfully nasty fun, with a wonderfully nasty twist at the end which plays beautifully into contemporary ennui and paranoia. A perfect example of how to write a Zoom play with heft, rapidity, and wit.
  • CRIME DON'T PAY
    28 Feb. 2021
    This tasty bit of cautionary Americana is wonderfully rich in atmospheric detail and offers a great role for a monologist. Homespun folksiness and terrifying Southern Gothic all in a scant three minutes? Yes please!
  • Lack of Moisture
    28 Feb. 2021
    I don't think I have I ever seen a marriage so expertly, and subtly, delineated as Debbie Lamedman does here. Setting traps through an ingenious device (crossword puzzle clues), Lamedman hooks us in and then pulls the spring with vicious alacrity; we’re both stunned by how obvious it all is, and yet how surprised we are. A terrific work, and a feast for two actors.
  • The People You Meet in Heaven
    28 Feb. 2021
    Wonderfully existentialist one-minute charmer, with a helluva twist at the end.
  • James of Nazareth
    28 Feb. 2021
    This is a terrific work. By turns funny, horrifying, lighthearted, infuriating… read it yourself and fill in your own adjectives and superlatives; Lisa Dellagiarino Feriend has written quite the parable for our times here. Her use of contemporary language and mores bring the script to sharply observed life and give it an immediacy that is both hugely entertaining as well as deeply thought-provoking. I would love to see this staged.
  • The Cost of Dying
    28 Feb. 2021
    John Busser working in creepy paranoia mode is just as good as John Busser working in silly comedy mode, which leads to the inevitable conclusion that John Busser is really, really good in any mode in which he chooses to work. Oh, and don’t drink the coffee if he offers it to you.
  • Sunrise Coven
    28 Feb. 2021
    “It’s no small thing, when your drug dealer dumps you. I would think it occasions a self- reflection.” Lines like that impress me, and this wonderfully surreal comedy is rife with them. Brendan Bourque-Sheil’s absurdist approach to his premise and characters is the work’s greatest strength; the lines are convulsively funny not because they are witty punchlines, but because they are deeply rooted in the wants and needs of both characters and plot: no matter how farfetched things get, Bourque-Sheil keeps things completely believable because he, and by extension us, believe in them – no mean feat.
  • THE JOYS OF CHRISTMAS (Monologue)
    28 Feb. 2021
    Bizarrely beautiful, Sabrina Rose Bivens’ monologue challenges and excites with its dreamlike tone and intensely personal – yet universal ¬– paean to individuality and acceptance. Great role for an actress.
  • ADAGIO
    28 Feb. 2021
    Endings, beginnings, secrets, lies, and a ricocheting ball of emotions are Bivens’ playthings in this taut, two-character work in which decades of feeling are skillfully unearthed in a little over ten minutes of playing time. Two great roles for older performers and a deceptively simple premise make this highly producible.

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