Stephanie Alison Walker

Banna is a perfection-seeking, suburban mom who finds meaning in leading a group of like-minded moms fighting the school district’s indoctrination of children. But behind the impressive facade, her marriage is in trouble, her relationship with her teenager is strained, and she is being tormented by an ever-present crow defiling her backyard. As Banna’s group gains notoriety and some sinister allies, she is faced with a choice: to open up and evolve or to double down and become isolated.

In 1891 a brilliant 23-year-old woman won an architecture contest to design the Woman’s Building for the World’s Columbian Exposition in Chicago. What should have been the start to a flourishing career in architecture became career-ending. Throughout the two-year process of building The Woman’s Building, the architect quietly endured bullying, micromanaging and undermining until she finally spoke up. In a time when women were defined as physically and intellectually weaker than men, her concerns were not only not heard, but she was sent to a sanitarium. Diagnosed with melancholia due to overexertion. Silenced. After the fair, her building was destroyed and she never built another building again. Her name was Sophia Hayden and she deserves better.

Received a NNPN Rolling World Premiere

It's 1978 in Buenos Aires, Argentina where people are disappearing right off the street but no one is talking about it. Carolina and her mother Josefina are searching for their pregnant daughter/granddaughter, Belén, who has been missing for twelve weeks. When they receive a surprise visit first from a former neighborhood priest who is now stationed at the ESMA (the Navy Mechanics school turned clandestine prison in the middle of the city,) they come up with a plan to try to see Belén one last time. Will it work? Will they be able to save her baby? Will they be able to save themselves?

*Finalist for the 2016 Saroyan/Paul Playwriting Prize for Human Rights
*Winner 2016 Ashland New Plays Festival
*Runner-Up Jane Chambers Playwriting Award
*Finalist for Kitchen Dog Theater's 2016 New Works Festival
*Finalist for the 2016 O'Neill Playwrights Conference
*Winner of Boulder Ensemble Theater Company's Generations Contest
*Finalist for the CTG/Humanitas Playwriting Prize
*Finalist for the 2016 Source Festival

1978. The first two female longshoremen at the Port of Los Angeles are trapped by their male co-workers in the cargo hold of a container ship just as it is heading to Shanghai. As they struggle to survive, they are visited by witches, who both help them and test them.

This play is inspired by the first women to work at the Port of Los Angeles as Longshoremen. The play is a work of fiction. The characters and story are a product of the playwright's imagination.

Gabriela is an Argentine concert cellist living in Chicago with her American husband and adjusting to life as a new mom. Life is good - normal life worries - but good, until a visit from two strangers upends everything. This play, about the long and devastating repercussions of Argentina’s military dictatorship from 1976-1983, asks how one goes on after discovering their life is a lie? Does the restoration of truth bring freedom or suffering? Is it possible to integrate two identities into one life? The Abuelas explores these questions as well as the heart’s capacity for forgiveness even in the face of the harshest betrayal.

Written as a companion play to THE MADRES.

You think you know your friends, your neighbors, your spouse, but what happens when you suddenly find out they have a garage full of guns? This new dark comedy explores the complicated issue of gun proliferation when two young liberal couples are forced to confront their assumptions about who should own a gun and why. The time of easy answers regarding this issue is long gone. In the wake of current events, we are all forced to reexamine our strongly held beliefs about gun ownership. Friends With Guns explores the question of what we can compartmentalize…and what we can’t. It examines what happens when guns enter the conversation. It pulls the curtain back on liberals with guns. It asks what happens when suddenly one person in a marriage does a 180 on the gun issue. And it does all of this through a female lens.

Primus Prize 2016 Finalist
O'Neill Playwrights Conference 2013 Semi-Finalist
Princess Grace Award 2008 Finalist

When Melissa receives a mysterious invitation to brunch from her mother after a two-year estrangement, she returns to a home where nothing is as it seems. Fathers lie, friends leave and she herself is failing in the artist’s world she covets- as her mother practices the art of disappearing before her very eyes. The devastating truth she discovers in her parents’ house threatens to tear all of them apart for good. Will Melissa stay and fight for her family? Or will she disappear too?

Winner of the 2011 Blue Ink Award by Chicago's American Blues Theater
Semi-Finalist for the 2010 Princess Grace Award

One out of every 54 homes in America received a foreclosure notice in 2008. Award winning playwright and author of "Love in the Time of Foreclosure," Stephanie Alison Walker, takes audiences on a deeply personal journey through recent history as she shines a light on three out of the millions of stories of loss. A young couple faces eviction from the dream house they stretched to buy; an elderly widow falls prey to a reverse mortgage scheme, and a minister of the prosperity gospel must face the flock shes led astray. American Home takes an unflinching look at the impossible choices people make when faced with losing everything, and, ultimately, celebrates the powerful resilience of community and the human spirit.

A vampire comedy about grief.

When Ramona decides to rent out her deceased husband's office to a mysterious stranger, her daughter Ryan rebels. Three women and one imaginary vampire collide in a historic Victorian home with a past of its own, in this play about immortal love, mothers and daughters, and new beginnings.

*This play began as a Heideman Award finalist ten-minute play titled, "Edward Cullen Ruined My Mother's Love Life."

Beverly checks herself into a seedy motel room to be alone with a plastic pumpkin filled with Halloween candy in this ten-minute comedy about body image, motherhood and one woman trying desperately to "have it all."

Abe and Charlie have found the perfect place of their own, until an injured stranger arrives and threatens to ruin it.

Missy, a Hollywood starlet in the making, and D, a stand-in for an A-list star, are drunk, high and lost on their way to an after-party in the Hollywood Hills. Will Missy ever get a satisfying answer to the question, "Am I hot?" Will D ever get to smoke her cigarette? Was that speed bump really just a speed bump? Called "Intense!" and "Morbid" by Reviewplays.com and "Hilariously dark" by LA Weekly.

A glaciologist brings his granddaughter (a climate change denier) on an expedition to measure the ice on earth's last remaining glacier. Will she see the truth before it's too late? Or will they both melt with the glacier?

An attorney suddenly homeschooling two kids at the beginning of the Covid-19 pandemic mediates between her Baby Boomer mother and Millennial cousin over a social media dispute.

A young female longshoreman at the Port of Los Angeles discovers just how disappointing and dangerous it can be to be a woman in a man’s world.

Quarantined from each other in their own home, a husband and wife try to stay level-headed while facing their worst nightmare.

A FaceTime play in ten-minutes.

Ramona, a fifty-year-old vampire-lusting widow has a sixteen-year-old pragmatic, classic literature-loving daughter who refuses to learn to drive. Mother and daughter struggle to turn fiction into reality while constantly being haunted by the past in this play about death, immortal love and driving.

On a Starbucks run for his co-workers, an average man is presented with the opportunity to be a hero. Will he leave the task to someone else as always, or will he confront his fear, save the day and in a moment re-define his entire life? It all happens in a moment and this moment is his.

All Marla wants for her birthday is a divorce. Instead of a divorce, Vic gives her a new car. Marla is not happy.

*written for Moving Arts' The Car Plays

Two people meet on a 500-mile bike ride for charity. It’s a love story on bikes… in reverse.

Angelina Jolie is frankly tired of being stalked and turns the tables on a young married couple struggling with infertility issues in this dark comedy about marriage, fantasy, perception and the nature of fidelity.