"The audience was laughing uproariously"--Sacramento News & Review “A Masterpiece of Comic … Timing” is a perfect B Street comedy, and if it isn’t a masterpiece it’s pretty darn close. It’s a guaranteed crowd-pleaser. --The Sacramento Press “There are lots of jokes in this play … There’s vintage comedy, sexist humor, off-color humor, good clean humor, slapstick humor and hilarious weather aberrations. When it all comes to an end, the audience is still laughing uproariously. Things move forward at a dizzying speed in Act 2, and when the show ends, as does every good comedy, nobody cares that it wasn’t really about anything after all. It worked for ‘Seinfeld’ and it works well for Caisley.” – The Davis Enterprise From the author of the award-winning Happy, named by Chicago Magazine as one of the “Nine Best Comedies” of the 2013 Season, comes a brand new riotous comedy. [3M/1F] – Single Interior 1963. Scottsdale, Arizona—the Royal Palms Hotel. New York producer Jerry Cobb has invited wunderkind playwright Nebraska Jones for an all-expenses paid trip to paradise. Cobb has invested all his money commissioning Jones’ next play, which he believes will eclipse his Broadway debut—hailed by critics as a “masterpiece of comic timing.” Banking on Jones’ reputation and momentum, Cobb is disheartened to find his playwright suffering from a severe case of depression: he’s morose; he won’t eat; he can’t write—in fact all he wants to do is drink Cobb’s bourbon and sleep all day in the $250 per night luxury room at Cobb’s considerable expense. Right-hand man, Charlie Bascher, is charged with keeping the kid at the typewriter, distracting him from him from the booze, and figuring out the cause of his distemper. What happens when you’ve paid for the next hit comedy, but what’s coming out of the typewriter is tragedy? In this “vintage” screwball comedy skewering an artistic life in the theatre, the line between comedy and drama comes under hilarious scrutiny and is found to be much narrower—and sillier—than you’d think.