Sean Dunnington

Sean Dunnington

Sean Dunnington is a queer/Jewish playwright, geographer, and civic artist living between New York and Honolulu. Raised in a rural Paniolo town on Hawai’i Island, Sean taught himself how to belong by writing his own stories. His work has been produced/presented Off-Broadway, in regional theatres across the country, local libraries and galleries, state museums, old attics, public radio stations, film festivals,...
Sean Dunnington is a queer/Jewish playwright, geographer, and civic artist living between New York and Honolulu. Raised in a rural Paniolo town on Hawai’i Island, Sean taught himself how to belong by writing his own stories. His work has been produced/presented Off-Broadway, in regional theatres across the country, local libraries and galleries, state museums, old attics, public radio stations, film festivals, and LGBTQIA+ centers. He’s been in residence with the East-West Center, Waiwai Collective, and the University of Hawai’i Truth, Racial Healing and Transformation Campus Center. He’s been a fellow with the Dramatists Guild Foundation, Orchard Project, Magic Theatre, Creative Labs Hawai’i, the California Arts Council, and the National Collaborative for Health Equity. Sean has led/facilitated over 100 free writing workshops and story circles for non-profits, public schools, and community centers across Hawai’i. He founded The Worms, a queer immersive theatre collective, and Tree Moss, the first-ever collective for emerging and established playwrights in Hawai’i. He received his BA in Applied Playwriting from the University of Redlands’ Johnston Center for Integrative Studies and is currently pursuing his MFA in Dramatic Writing from NYU Tisch School of the Arts.

Plays

  • The Children's Farm
    Sam takes shelter in California with her over-therapized cousins Joey and Lauren after being outed and tormented by her parents back in rural Pennsylvania. In this new home, Sam discovers The Funny Farm, an imaginary world filled with animals, magic, and Roxy, her gay best friend. What starts out as a playful safe haven for a lost kid eventually transforms into a quasi-therapy(ish) trauma response for a...
    Sam takes shelter in California with her over-therapized cousins Joey and Lauren after being outed and tormented by her parents back in rural Pennsylvania. In this new home, Sam discovers The Funny Farm, an imaginary world filled with animals, magic, and Roxy, her gay best friend. What starts out as a playful safe haven for a lost kid eventually transforms into a quasi-therapy(ish) trauma response for a misguided teen. Sam attempts to bring Roxy out of her fantasy and into her reality by introducing her to Joey through a catfishy penpalship. Joey, closeted, naïve, and the youngest of the three, finds queer solace in his fake friendship with Roxy, but Lauren, bossy, mature, and the oldest of the three, has been claiming that Roxy hasn’t been real since they were kids. This doesn’t help Lauren and Sam’s shaky relationship, which they’ve had since Sam moved in. After landing in a perfect blend of suspicion and jealousy, Lauren snoops for evidence and discovers Sam’s secret stash of letters between Joey and “Roxy,” both revealing the truth to Joey and shattering Sam’s blurred fantasy-reality world. This leads Joey to exile Sam from their lives and Sam to run away in a panic, promising to never come back. Five years later, Joey and Lauren are on their way to the airport to rekindle with the returning Sam, both doing their best to reconcile with the past and learn how to move forward. At the airport, Sam finally confesses the truth about Roxy, bringing together what Joey and Lauren already knew with what they have never been able to truly understand.
  • Hawaiian Shake, Or The Off-White Lotus Play
    A surreal extrospection of cultural belonging and conflict on Hawai'i Island. This is play is the intersecting stories of a haole (white) family trying to belong to the land and a Kānaka Maoli (Hawaiian) family trying to preserve it. Stitched together by nuclear bombings, contrasting hulas, and three unhinged spirits, this story unearths the truth until it fucking explodes with it.
  • Zap
    Jessie is a young woman coming to terms with her sexuality, or at least the words to match her feelings. She finds that the home she lives in will do anything to change her, whether that be through electroconvulsive therapy or simply telling her to make a new choice. This is the story of how she learns to survive in a world designed against her.
  • Flat Fish
    When Willy goes missing, his older sister Jill goes on a quest to bring him home. By reading the journal he left behind, Jill comes to understand her brother's misguided search for love--and, ultimately, uncovers not only the answers that Willy has been looking for, but makes discoveries about herself.
  • The Undocumented, or a Far Too Brief History of Ravensbrück
    How are women represented throughout holocaust memoir and databases? This play explores the missing facts and stories of the women of the Ravensbrück concentration camp.
  • espresso martini
    Dom and Boon get into a fight. Boon carves an actual line into the ground. Dom cuts off his finger. Is that enough to fix their broken relationship?
  • Corporate Jedis
    Stacey wishes for a promotion, and maybe today, God's Business Partner (an IBM Infoprint 2085) will finally grant it. The only thing in Stacey's way is her work bestie, Gregg, and his vision for a Justice, Equity, Diversity, and Inclusion Task Force.