Recommended by Ryan Stevens

  • Ryan Stevens: HOMERIDAE by AZ Espinoza
    “

    A fascinating re-examination of who has a right to history and the long shadow cast by institutional prejudice. Espinoza comes at these issues from all angles, leaving no room to hide from her insights and imagination. This is an endlessly important story to tell and one that deserves to be heard far and wide.

    A fascinating re-examination of who has a right to history and the long shadow cast by institutional prejudice. Espinoza comes at these issues from all angles, leaving no room to hide from her insights and imagination. This is an endlessly important story to tell and one that deserves to be heard far and wide.

    ”
  • Ryan Stevens: Black Creek Risin' by LaDarrion Williams
    “

    A fantastic, atmospheric, expressionistic story on family, music, American culture, and the bonds that hold people together and hold them down at the same time. This play is thrilling in how it focuses this story in tragic characters and tangible emotion that sears off the page.

    A fantastic, atmospheric, expressionistic story on family, music, American culture, and the bonds that hold people together and hold them down at the same time. This play is thrilling in how it focuses this story in tragic characters and tangible emotion that sears off the page.

    ”
  • Ryan Stevens: Where the Lovelight Gleams by Kyle J. McCloskey
    “

    'Where The Lovelight Gleams' is a wildly imaginative story that never loses sight of its beating heart. The emotion and sincerity flow right off the page and into your mind as we see these three nuanced and achingly human characters pressed against a world literally falling apart. Poetic, sensational, timely, and grounded, this is the type of work the American theatre needs.

    'Where The Lovelight Gleams' is a wildly imaginative story that never loses sight of its beating heart. The emotion and sincerity flow right off the page and into your mind as we see these three nuanced and achingly human characters pressed against a world literally falling apart. Poetic, sensational, timely, and grounded, this is the type of work the American theatre needs.

    ”