Recommended by Alex Kulak

  • In a lesser playwright's hands, this would simply be a high school dramedy pastiche about a lie that goes too far. Bailey Jordan Garcia's sharp insight and soulful characters elevate this into a riveting exploration of identity and sexuality, and the ways that technology amplify our deepest desires and our darkest secrets. A brilliant play that is ready as-is for full production.

    In a lesser playwright's hands, this would simply be a high school dramedy pastiche about a lie that goes too far. Bailey Jordan Garcia's sharp insight and soulful characters elevate this into a riveting exploration of identity and sexuality, and the ways that technology amplify our deepest desires and our darkest secrets. A brilliant play that is ready as-is for full production.

  • Really funny and experimental. Part Kurosawa biopic, part semi-autobiography, part rhapsody on the marvels of yogurt, Izumi creates a play that is intricately constructed, with the zany uncertainty of an improv comedy. This must be incredible to watch onstage.

    Really funny and experimental. Part Kurosawa biopic, part semi-autobiography, part rhapsody on the marvels of yogurt, Izumi creates a play that is intricately constructed, with the zany uncertainty of an improv comedy. This must be incredible to watch onstage.

  • An intelligent, poignant, and at times hilarious exploration of art, fame, and sisterhood. Barr really shows off their talent for rich and likable (even in their moments of un-likability) characters, creating three incredibly exciting opportunities for the actors playing Quinlyn, Gabby, and Olive.

    An intelligent, poignant, and at times hilarious exploration of art, fame, and sisterhood. Barr really shows off their talent for rich and likable (even in their moments of un-likability) characters, creating three incredibly exciting opportunities for the actors playing Quinlyn, Gabby, and Olive.

  • Revisiting this play in light of Mamet falling down the Fox News rabbit hole, and I was delighted to see there's a new version. It flows better than the earlier draft, but still has the subversive edge that made me fall in love with this play 3 years ago. A perfect companion piece for any theatre to put on alongside a Mamet play (or better yet, instead of).

    Revisiting this play in light of Mamet falling down the Fox News rabbit hole, and I was delighted to see there's a new version. It flows better than the earlier draft, but still has the subversive edge that made me fall in love with this play 3 years ago. A perfect companion piece for any theatre to put on alongside a Mamet play (or better yet, instead of).

  • A comedy until it isn't, in the best way possible. Jack is incredibly talented at writing meaningful, clever, plot-moving dialogue. He never wastes a word, and you want to relish every one.

    A comedy until it isn't, in the best way possible. Jack is incredibly talented at writing meaningful, clever, plot-moving dialogue. He never wastes a word, and you want to relish every one.

  • Alex Kulak: Data

    "The Social Network" meets "1984" in this riveting, timely corporate thriller. Libby shows an acute talent with handling high-concept tech jargon and releasing a plot's twists and turns bit by bit, keeping the audience on the edge of their seats.

    "The Social Network" meets "1984" in this riveting, timely corporate thriller. Libby shows an acute talent with handling high-concept tech jargon and releasing a plot's twists and turns bit by bit, keeping the audience on the edge of their seats.

  • Alex Kulak: SHIP

    Douglas Williams' SHIP is a very well-written look at fame, addiction, and the aspiration to get out of your hometown. The cast of stellar, nuanced characters are brought to life by pitch-perfect dialogue. I'm excited to see what the future holds for this play.

    Douglas Williams' SHIP is a very well-written look at fame, addiction, and the aspiration to get out of your hometown. The cast of stellar, nuanced characters are brought to life by pitch-perfect dialogue. I'm excited to see what the future holds for this play.

  • Alex Kulak: from

    Brake-Silla gives contemporary American characters the poetic nobility of the tragic figures in Greek drama. Her plays capitalize on the notion that America can create a new native mythology. A fascinating piece.

    Brake-Silla gives contemporary American characters the poetic nobility of the tragic figures in Greek drama. Her plays capitalize on the notion that America can create a new native mythology. A fascinating piece.

  • Alex Kulak: DIVISION STREET

    A takedown of racism, cultural appropriation, and the political acceptance speech, DIVISION STREET is funny, poignant, and challenging.

    A takedown of racism, cultural appropriation, and the political acceptance speech, DIVISION STREET is funny, poignant, and challenging.

  • Alex Kulak: CHURCH & STATE

    A smart, funny, even-handed look at modern American politics and gun violence in the United States.

    A smart, funny, even-handed look at modern American politics and gun violence in the United States.