Recommended by Tom Moran

  • Tom Moran: The Ultimate Christmas Question

    A conversation we've all had with our significant other at one time or another, well-encapsulated and leading up to an unexpected but appropriate ending. But whither "Love, Actually?"

    A conversation we've all had with our significant other at one time or another, well-encapsulated and leading up to an unexpected but appropriate ending. But whither "Love, Actually?"

  • Tom Moran: The 800 Pound Gorilla

    A clever conceit (and title) make for an absorbing look at two men who’ve never moved past some of their childhood traumas. Cox does a good job building an atmosphere and setting that both result from the plot and contribute back to it, making for an engrossing journey that builds to a dramatic and highly appropriate climax.

    A clever conceit (and title) make for an absorbing look at two men who’ve never moved past some of their childhood traumas. Cox does a good job building an atmosphere and setting that both result from the plot and contribute back to it, making for an engrossing journey that builds to a dramatic and highly appropriate climax.

  • Tom Moran: Grindrd

    The best twists are the ones you don’t see coming but in retrospect seem inevitable, and this play definitely has that. It also has well-written characters and some believable teen dialogue (which can be challenging to pull off.) Kudos for putting together such a complete piece is such a small package.

    The best twists are the ones you don’t see coming but in retrospect seem inevitable, and this play definitely has that. It also has well-written characters and some believable teen dialogue (which can be challenging to pull off.) Kudos for putting together such a complete piece is such a small package.

  • Tom Moran: What's in the Box?!

    A tight piece that does a good job layering suspense and humor, topped with a solid ambiguous finale.

    A tight piece that does a good job layering suspense and humor, topped with a solid ambiguous finale.

  • Tom Moran: The Morning After (Ten Minute)

    A hilarious, uber-meta take on Albee that had me guessing until the very (surprising) end.

    A hilarious, uber-meta take on Albee that had me guessing until the very (surprising) end.

  • Tom Moran: Uncovering

    Wow, there is a lot crammed into this ten-minute play! "Uncovering" manages to walk a tightrope of writing about a truly horrifying process and yet still humanizing its participants, and delivering some great one-liners in the process. Kudos to Mallon for writing a piece that is both absurd and thoughtful. Well done.

    Wow, there is a lot crammed into this ten-minute play! "Uncovering" manages to walk a tightrope of writing about a truly horrifying process and yet still humanizing its participants, and delivering some great one-liners in the process. Kudos to Mallon for writing a piece that is both absurd and thoughtful. Well done.

  • Tom Moran: Bulletproof

    A concise two-hander that had me engaged from beginning to (nicely ambiguous) end. The premise is both absurd and startlingly believable, as are the two characters' reactions to it, which is what makes this such a joy to read. It's also looks quite easy to produce, drawing all of its drama and comedy from two props.

    A concise two-hander that had me engaged from beginning to (nicely ambiguous) end. The premise is both absurd and startlingly believable, as are the two characters' reactions to it, which is what makes this such a joy to read. It's also looks quite easy to produce, drawing all of its drama and comedy from two props.

  • Tom Moran: Coming In

    An inspired twist on the traditional coming-out story, enlivened by some strong dialogue and fleshed-out characters. A good play for our times, in which folks who've (perhaps grudglingly) come to acknowledge LGBTQ issues discover that the spectrum of gender and sexual preference is more complex than they thought.

    An inspired twist on the traditional coming-out story, enlivened by some strong dialogue and fleshed-out characters. A good play for our times, in which folks who've (perhaps grudglingly) come to acknowledge LGBTQ issues discover that the spectrum of gender and sexual preference is more complex than they thought.

  • Tom Moran: Can You Hear Me Now?

    CYHMN takes a simple, absurd concept and runs with it, leaving no joke unturned. But it saves its most clever machinations for last, turning a series of crisp one-liners and sight gags into a trenchant dig at modernity. Perfect ending too.

    CYHMN takes a simple, absurd concept and runs with it, leaving no joke unturned. But it saves its most clever machinations for last, turning a series of crisp one-liners and sight gags into a trenchant dig at modernity. Perfect ending too.

  • Tom Moran: Cabana Boy

    Williams has constructed a tight four-hander with real heart. "Cabana Boy's" careful plotting and deft character construction combine to create a compelling story that focuses both on a deeply personal story of first love and a larger tale about the perils of fame. It's both artfully contained and expansive at the same time, and would be well-served with a production.

    Williams has constructed a tight four-hander with real heart. "Cabana Boy's" careful plotting and deft character construction combine to create a compelling story that focuses both on a deeply personal story of first love and a larger tale about the perils of fame. It's both artfully contained and expansive at the same time, and would be well-served with a production.