Recommended by Tom Moran

  • How to Be a Widow
    11 Mar. 2021
    A candid, concise look at self-actualization through the eyes of two Civil War widows fumbling for their identities. The language is all very modern, making for an interesting mix of period mores and current lingo suggesting a place out of time. A funny, insightful and ultimately very satisfying 17 pages.
  • Hotter Than Thoreau
    11 Mar. 2021
    A charming little piece about two men whose Grinder date goes off in an unexpected direction. A winning combination of sexy and sentimental, with some funny lines and bawdy repartee wrapped in a warm fuzzy. Also perfectly titled.
  • The Roommate
    7 Sep. 2020
    A timely and trenchant take on our current catastrophe, it's a Seventh Seal (or maybe Bill and Ted's Bogus Journey) for our time. Good and ominous fun, with gradual revelation of detail and a clever ending.
  • ALL BARK, NO BITE
    30 Mar. 2020
    A sweet, charming romp that succeeds on the basis of witty character humor underlying a richly realized conceit. The human story is compelling, but it's the dynamic between the two dogs that really pushes "All Bark, No Bite" over the top: Eugene's aloof intellectualism is consistently hilarious (and reminds me more than a little of my own dog) while Bella perfectly encapsulates the flighty charm of the younger canine set. My only disappointment is in knowing what the schtick is before reading, and thus not getting the chance to figure out Eugene's identity for myself.
  • Reptilians
    2 Feb. 2020
    A well-structured, naturalistic piece that builds up to a fun and unexpected twist at the end.
  • It's an Espresso Drink with Foamy Steamed Milk
    2 Feb. 2020
    Self-absorption reaches its logical extreme in this two-minute ditty about the end of the world. What will it take to drag some people off of their phones and out of their solipsistic bubbles? As the play wittily posits, absolutely nothing.
  • Whittier, Alaska
    31 Jan. 2020
    Whittier is a pretty weird place, and the play does a solid job using it as the basis for an entertaining story of female friendship (or maybe more...?) couched in a ghost story. I was impressed by the play's thematic consistency, in that the legend behind the ghost ultimately resonated with the simple human interactions on which the piece is grounded. It also uses Alaskan "characters" as background without turning them into obvious stereotypes.
  • Chewie, Get Us Out of Here
    30 Jan. 2020
    "Chewie" may be the most referential play I've ever read. It's also funny as hell, using a "Star Trek" setup (despite the title) to drag us through pretty much every sci-fi trope of the last half-century, one tagline at a time. It all leads up to a pitch-perfect, wonderfully deflating last line that ends with the appropriate whimper.
  • THE MASKED ZINFANDEL
    31 Dec. 2019
    Wonderful subversion of the masked hero genre. Shades of the Princess Bride in its mixing of a quasi-medieval setting with high comedy. Absurdist and compelling at the same time, and some terrific lyrics to boot.
  • THE PASSION OF ED WOOD
    18 Dec. 2019
    The ridiculous story of Hollywood's worst director, told in compelling fashion. The songs are great - would love to see this staged - and the structure, featuring narration by a suitably pompous Orson Welles, raises the piece above mere biopic. I was a bit worried it wouldn't live up to the film (still my favorite Tim Burton movie) but I needn't have worried; while this covers much of the same territory, its take is fresh and endearing. As it turns out, there's enough crazy in Ed Wood's life to support multiple works.

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