“ Soucy could've written a full-length play on this subject, but instead chose the 10-minute form which gives it an impact far beyond its length. I experienced a few brief moments of confusion until I realized what it was really about, and it hit me like a solid right cross. Well done! ”

“ “Somebody said comedy is tragedy plus time. I say fuck time. It’s all tragedy and a yard wide.”

A character says this, and the author proves it true with this play as he seamlessly turns a laugh-out-loud comic piece into a harrowing—even terrifying—look at the experience of cancer.

By turns—and often at the same time—hilarious, heartrending, and wildly imaginative, it is as relentless in its way as its subject.

At lot of plays are called a “tragicomedy” but aren’t. This is the real deal.
”

“ This is a play of rage—rage against both racism and the rationalizations that allow it to continue. And not only that of "Lost Cause" Southern whites," but also of “enlightened” white liberals who pay lip service to equality but are ultimately irredeemable. You expect a polemic with one-dimensional characters; instead Donnelly gives you characters as three-dimensional as they can possibly be, and a story that fulfills the requirements of any good play. He uses broad comedy, magic realism, and scathing satire against more than the usual suspects. When you’re not laughing you’ll be furious. It’s brilliant. ”

“ Hilarious, just plain hilarious. Wacky as hell, and did I mention hilarious? Mullen's talent for creating funny but completely believable characters in a matter of seconds with one or two lines of dialogue is on full display here. Read this play. You will laugh out loud. ”