Discovering a pile of dead bodies in the middle of their office, work colleagues seem nonchalant to the carnage and instead become embroiled in petty arguments. Their repetitive discussions and responses are predetermined and nonnegotiable.

Written in a surreal manner, A Massacre observes the bigger world we live in, and highlights the limitation of the smaller world in which we live—our minds.

Peace, a Massacre, and the Umbrella is a trilogy written in a surreal manner that aims to question the idea of us versus “the other.”

Breaking news about a distant civilization turns the prosaic tedium of a middle class household’s day to a tempest in a teapot. Their attempt to overcome their fear-inducing ignorance by turning to their limited resources results in a farcical event.

Discovering a pile of dead bodies in the middle of their office, work colleagues seem nonchalant to the carnage and instead become embroiled in petty arguments. Their repetitive discussions and responses are predetermined and nonnegotiable.


And finally, awakened by sounds from a machine that warns of impending danger, six pseudo-intellectual housemates get into endless groundless arguments, contradicting themselves and creating a cacophony of mad unreason. Unable to listen to each other or think outside of their very limited “open” minds, the characters are truer to our own world than we would like to believe.

Like the other parts of the trilogy, Love Is a Carrot explores the question of how to oppose evil, this time by presenting fear and distrust on one hand and suicidal feebleness on the other.

The Portrait of an Angel, a Lion, a Monster is about transformation, miracles, and love.

The play draws a honest portrait of an extraordinary man, his lover, and the scenes from their lovehood in the backdrop of Judaism.

A Helmet Is a Helmet Is a Helmet is a ten-minute play that considers the subject of identity. The play focuses on Jewish identity, sexual identity, Don Quixote’s identity, as well as Jonathan’s identity.