Recommended by Kim E. Ruyle

Pity the poor writer working to a tight deadline and involving an actor as collaborator which leads to a frenetic race to find the actor’s identity and motivation. Even more, pity the actor tasked with the impossible, but in the end, they don’t even get a bottle of water. A fast-paced romp and a cautionary tale for the ill-prepared writer. Fun!

A great first scene for a dramedy! The characters are well defined, and we get to know them through natural, in-the-moment dialogue that’s engaging and funny, too. And we not only get to know Jackie and Scott, brother and sister, but we get a good picture of some of the extended family, too. I want to see where this goes!

Really creative and fun! Chris Plumridge skewers the lead actor and explores what every playwright dreads – a misdirected play that’s perverted by egos. Wonderfully entertaining!

A fun, unique meet-cute between a nervous, first-time flyer and an android flight attendant. Some great comical moments – e.g., tomato juice in the crotch and my favorite line, “Perhaps you’ve heard of my ancestors: Larry, Moe, and Curly.” In addition to being highly amusing, Morey Norkin’s play explores some interesting aspects of human attraction and technology. The first-time flyer has a great ride, and so does the audience!

Heal the Hydrangeas deals with loss, empathy, and healing. And more than that, Cassidy Byron deals with religion and spirituality with a remarkable sensitivity and insight. Really well done.

Deep. That’s what I thought – And still do! – as I started reading this brilliant play. And then, John Busser, begins weaving in his trademark wit and humor, slowly at first but ramping up quickly. Thought-provoking and very funny to boot, you can’t ask for more! Bravo!

Exceptionally clever, sharp dialogue as the mind games play out between Him and Her in this intriguing short play by Chris Plumridge. I loved everything about it, even the formatting, but what really hooked me was how Chris has created such a natural, authentic exchange that addresses delusion and bizarre behavior. I want more!

Leave it to John Busser to create a play that’s offensive, profane, blasphemous… And hilarious! I loved it and, after reading, felt thoroughly donkey swozzled. Fantastic!

Larry Rinkel understands the vulnerability, the angst, and the thrill of acting. And he plops it all in the laps of the audience. These reluctant actors are facing the uncomfortable truth: when you’re on the stage, it doesn’t matter if you have clothes on or not, you’re totally exposed. You’re naked. Great fun for actors and audience alike, and a terrific way to start an evening of short plays.

What a powerful piece. Jacquie Floyd-Priskorn doesn’t just tell us about Miriam’s anguish, she masterfully shows us. It’s theatrical, compelling, and heart-wrenching. Ari’s perspective, born of experience, and Audrey’s despair add to the story, and Miriam’s internal struggle is so clearly illuminated by the dual characters. It’s a painful to watch the story to unfold and the inevitable release of the key. A painful story but one that must be told. Brilliantly done!