A re-imagining of Shakespeare’s Midsummer Night’s Dream weaving a conservative Christian community, a commune of Radical Queer Faeries, trailer park boys, and art school drop outs into a theatrical event for today.

The play follows the original, nearly scene for scene and launches straight into the action. Language-driven and embracing the setting of the Appalachian, Midsouthern states, we follow the lovers, here Sandra and Mia on their escape to the promise of Richmond and a more liberal community. Their christian community’s rejection of their partnership leads them to the woods where they collide with Duke and Hicks. Duke is roiling over his ex Melli’s choice to raise their son in a Radical Queer Faerie commune and with his buddy Hicks (and a knowledge of psychedelics) he’s planning a humiliation and revenge.

Amidst this, the Rude Mechanicals, here a performance art ensemble, are putting together a show for the Mayor’s wedding. The open call for acts assuring their first public audience - and an opportunity to launch their vision.

Music, dance, spectacle and the magic of the original seeps into a new play for contemporary audiences (and artists).

Demeter wants more than six months with her daughter, 20th century technology will make it possible - does Persephone have a say in her own - and the world’s - fate?

The over-achieving daughter, Stevie, returns home and falls through the ice. Her PhD has stalled as she witnesses its subject, the Cryosphere, disappear due to our warming climate. Coming home to the suburbs of Washington DC seeking a respite, she finds instead her mother and younger sister frozen in their own isolation. Overwhelmed by her sense of impotence to change anything globally Stevie's attempts to impact her world locally seem equally unmanageable - until actions are taken - a kiss, a swim, a gun-shot - a connection.

The play opens in the parking lot of a disintegrating motel on the outskirt of the district. A group of agents put a plan in motion to locate Milla, a daughter of a dissident, reported to be dead. In one of the rooms she is being secretly kept by Clyde, one of the agents now charged with finding her. She is often addled from drug use, but is kindling the will to ask the questions no one is asking - why, who's orders, and where else could they go? The play pits coarse dialogue, familiar archetypes, and slapstick violence against heightened language and moments of serenity to ask serious questions about violence, individual agency and belief.

In the Spring of 1968 on a rural college campus in the mid-west, Gracie dreams of Bobby Kennedy and he dreams back at her. A play that looks at a moment that shook america through the eyes of one young woman and wonders how her choices ripple out to the present day.

A man receives a terminal diagnosis. The Doctor sends him to Spence. Spence is a specialist, not in the direct treatment of the disease, but in the oblique caring for the person. The man feels that he knows when the disease began, when the cells turned against him and he starts a journey west to try to correct his mistake.

Along the way he chokes on a sandwich.

He is saved by Bickie and Jess, teenagers running from a very bad thing. They decide to travel together.

A play about who saves who and how.

About the unrelenting movement of lives and the death that ends it.

About going west by any means necessary.

To be performed in a small space, ideally a basement, a backroom. Someplace safe. THE STRAY DOG takes its inspiration from the St. Petersburg cabaret of the same name where Anna Akhmatova, Osip Mandlestam, Mayakovsky and others read their poetry in the early 1900s. This play takes place in the present, amidst the ceremonies of a group devoted to the adoration of these poets on a night when their priestess is teetering on the brink. A theatrical event balanced between the real and the imagined about what makes the heart sing - and what makes that stop.